Daily Archives: October 21, 2018

Fall LIstening and Coloring Pages

Posted by MaryO on

 

I have purchased a set of Shades of Sound Listening & Coloring Book: Halloween for the studio.

Each week, I will print out some of the pages for your student and put them in his/her notebook.  After listening to the music on YouTube, the student may color the pages.

After they are colored, please return them to the notebook so that there will be a complete book when finished.

If you are an adult and want to listen and color, too, just let me know and I’ll print you a set.

From the website:

The Shades of Sound Listening and Coloring Books are a great way to encourage students to listen to great piano and orchestral repertoire. Students of all ages will love coloring the fun pictures while listening to and learning from the music of the great composers.

This Shades of Sound Halloween edition includes 13 spooky pieces of piano and orchestral literature, ranging from the Baroque to the Modern period. By spending just 5-10 minutes per day listening for just a few days per week, students can listen to and complete the whole book in a few weeks.

Aspiring pianists need to know the literature, hear the greats perform, and be inspired and excited by the great music that is available! Just as writers need to read, read, read, pianists need to listen! Through this fun curriculum, students will learn about the musical periods and the great composers and their works. Listening repertoire selected includes selections from the standard solo piano literature, as well as solo piano and orchestra literature and orchestral works.

My hope is that students can add just 5-10 minutes of listening per day to their normal practicing. Listening to great music will change their understanding of music and will vastly increase their music history knowledge. It will excite and inspire them, encourage further study and listening, give them new pieces to add to their own repertoire wish list, infuse more great music into their lives, homes and families, and will boost their musicianship and expression to the next level.

The Halloween Shades of Sound book includes 13 different pieces, including:

  • Totentanz by Liszt
  • Le Cimetiere, from Clairs de Lune by Abel Decaux
  • Graceful Ghost Rag by William Bolcom
  • Night on Bald Mountain by Mussorgsky/Rimsky-Korsakov
  • Tarantelle, from Music for Children Op. 65 No. 4 by Prokofiev
  • Tarantella by Albert Pieczonka
  • In the Hall of the Mountain King by Grieg
  • Toccata and Fugue in D minor, BWV 565 by Bach
  • Funeral March, from Piano Sonata No. 2 in B-flat minor by Chopin
  • Danse Macabre by Saint-Saens
  • The Banshee by Henry Cowell
  • Scarbo, from Gaspard de la nuit by Ravel
  • The Sorcerer’s Apprentice by Paul Dukas

Students may use The Playful Piano – Halloween Listening YouTube playlist to listen along with their book using quality recordings. The playlist is ordered to go right along with the book, and also includes 5 extra pieces (some pages include optional “Further Listening” examples students may listen to).

 

October 21 ~ in Music History

Posted by MaryO on

today

• 1885 ~ Egon Wellesz, Austrian composer and musicologist

• 1907 ~ The “Merry Widow” opened in New York. The play starred Ethel Jackson and Donald Brian. The operetta had been introduced in Europe two years before.

• 1908 ~ A Saturday Evening Post advertisement offered a chance to buy, for the first time, a two-sided record. It was on Columbia.

• 1912 ~ Sir Georg Solti, Hungarian-born British conductor, Chicago Symphony Orchestra. He conducted the first complete recording of Wagner’s “Der Ring des Nibelungen”.

OCMS 1917 ~ Dizzy (John Birks) Gillespie, American jazz trumpeter and bandleader Read quotes by and about “Dizzy” Gillespie
More information about Gillespie

• 1921 ~ Sir Malcolm Arnold, Composer of screen scores: “David Copperfield”, “The Chalk “Garden”, “Suddenly, Last Summer”, “Solomon and Sheba”, “Island in the Sun”, “The Bridge on the River Kwai”, “Trapeze”, “I Am a Camera”, “The Belles of St. Trinian’s” “the Eye Witness series”

• 1924 ~ It was a big night for a big band in New York’s Cinderella Ballroom. The crowd loved the Wolverine Orchestra from Chicago and the guy on the cornet, Bix Beiderbecke, the ‘young man with a horn’.

• 1938 ~ Quaker City Jazz was recorded on the Bluebird label by Jan Savitt’s orchestra. The tune would become the theme of the band. It was not, however, recorded in the Quaker City of Philadelphia. The song was waxed in New York City.

• 1940 ~ Manfred Mann (Michael Lubowitz), Singer with Mann-Hugg Blues Brothers

• 1941 ~ Steve Cropper, Guitarist with the groups: Blues Brothers as well as Booker T and The MG’s

• 1942 ~ Elvin Bishop, Guitarist, singer with Paul Butterfield Blues Band

• 1943 ~ Ron Elliott, Guitarist with Beau Brummels

• 1946 ~ Lee Loughnane, Brass with Chicago

• 1953 ~ Charlotte Caffey, Guitar, singer with The Go-Gos

• 1955 ~ Eric Faulkner, Guitarist with Bay City Rollers

• 1957 ~ Julian Cope, Bass, guitar, singer

• 1957 ~ Steve Lukather, Guitarist with Toto

• 1958 ~ Orchestral strings were used for the first time in a rock and roll tune. Buddy Holly recorded It Doesn’t Matter Anymore, written by Paul Anka. Sadly, it would be Holly’s last studio session. The song wasn’t released until after his death in February of 1959.

• 2001 ~ George Feyer, a pianist and entertainer who played at some of New York’s top hotels, died at the age of 92. Feyer, who was known for setting pop lyrics to classical music, entertained the sophisticated Manhattan cafe society for three decades. He played for decades at the Carlyle, the Stanhope and the Waldorf-Astoria. He made many recordings, including his Echoes album series, which featured Echoes of Paris and Echoes of Broadway. Born in Budapest on Oct. 27, 1908, Feyer attended the Franz Liszt Academy of Music, where he studied with composer Sir Georg Solti. One of his first jobs was playing for silent movies. During World War II, the Nazis put Feyer on forced labor details, then imprisoned him in the Bergen-Belsen concentration camp for the final year of the war. Feyer and his family moved to New York in 1951. He stopped working full time in 1982.