October 31, 2016 ~ Today in Music History

Happy Halloween

Halloween (All Hallow’s Eve) is an ancient celebration dating back to the sixth or seventh centuries. This holiday combines the Druid autumn festival and the Christian celebration of Hallowtide, long associated with witches, ghosts, devils, spirits, magic … and all scary things that go bump in the night.

• 1896 ~ Ethel Waters, American blues and jazz singer

• 1906 ~ Louise Talma, American composer

• 1912 ~ Dale Evans (Frances Butts), Singer, songwriter of Happy Trails to You, actress, wife of ‘King of the Cowboys’ Roy Rogers

• 1922 ~ Illinois (Battiste) Jacquet, Tenor saxophone, played with Lionel Hampton, Cab Calloway, Count Basie

• 1927 ~ Anita Kerr, Pianist, singer, record producer, The Anita Kerr Singers, composer

• 1930 ~ In a rare recording, William ‘Count’ Basie sang with Bennie Moten’s orchestra, Somebody Stole My Gal, on Victor.

• 1934 ~ Tom Paxton, American folk singer, guitarist and songwriter

• 1947 ~ Russ Ballard, Singer, songwriter, guitar with Argent

• 1952 ~ Bernard Edwards, Bass with Chic

• 1953 ~ NBC televised “Carmen” on Opera Theatre in living color. It was the first major opera televised in anything other than black and white.

• 1956 ~ Tony Bowers, Bass with Simply Red

• 1961 ~ Larry Mullen, Grammy Award-winning drummer, with U2

• 1963 ~ Johnny Marr, Guitarist with The Smiths

• 1972 ~ Curtis Mayfield received a gold record for Freddie’s Dead from the movie, Superfly.

• 1984 ~ Caribbean Queen became a gold record for Billy Ocean. It was Ocean’s second hit song and the only one of his 11 hits to become a million-seller. He would have two other #1 songs and a pair of #2 hits, but none as big as Caribbean Queen (No More Love on the Run). Billy’s from Trinidad, and his real name is Leslie Sebastian Charles.
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Cheering up Halloween: Horror Themes Re-Recorded In a Major Key Will Make You Feel All Warm And Fuzzy

Classic horror themes are ominous and generally dread-inspiring for a reason: They are written in minor keys. Find a nifty melody, go minor, and watch the goosebumps pile up. For composers, sometimes it’s almost too easy.

To prove that it’s the minor key and not the melody that is eerily accenting the work of cinema’s most murderous villains, musician/writer/filmmaker Ian Gordon re-recorded five iconic themes in major keys. What comes next will definitely not frighten you.

A quick rundown:

The X-Files theme sounds like the beginning of an inspirational journey across side-scrolling Nintendo worlds. (One where you’re searching for a magic flute.)

Halloween sounds like the side A, track one of an indie-pop outfit’s meadow-frolicking breakout record.

Saw recalls the music that scores when the football game is getting out of hand and only the underdog protagonist can bring you back.

The Exorcist sounds like a Styx breakdown.

Nightmare on Elm Street sounds like you’re at Sea World, and Shamu is doing a night show. (The ones with lasers.)

via Horror themes re-recorded in a major key will make you feel all warm and fuzzy.