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The Sing for Hope Pianos is a beloved public art installation that brings brightly colored pianos to the parks and public spaces of NYC’s five boroughs for anyone and everyone to play. For two weeks in the summer, the pianos — each a unique art piece created by a different artist or designer — serve as gathering places in their communities, hosting impromptu concerts by professionals and amateurs alike in an open festival of music for all of New York City.
After the two-week public exhibition, Sing for Hope — a non-profit organization dedicated to bringing the arts to the people who need them most — donates the instruments to the NYC organizations we serve year round, allowing the pianos to enrich lives for years to come. While their time on the streets is a joyful event for our city, the Sing for Hope Pianos’ true impact lies in their service as ongoing cornerstones of arts access for communities and individuals in need. As NYC’s largest public art project, the Sing for Hope Pianos impacts an estimated 2 million New Yorkers and visitors each year.
. 1905 ~ Ernesto Halffter, Spanish composer and conductor
. 1908 ~ Ethel Merman (Zimmerman), American singer of popular music, Tony Award-winning actress (musical), Musical Theater Hall of Fame. She is most famous for Call Me Madam in 1951, It’s a Mad, Mad, Mad, Mad World, There’s NoBusiness Like Show Business and Alexander’s Ragtime Band
. 1934 ~ Bob Bogle (Robert Lenard Bogle), Guitarist, bass with The Ventures
. 1938 ~ Benny Goodman and his band, plus a quartet, brought the sound of jazz to Carnegie Hall in New York City. When asked how long an intermission he wanted, he quipped, “I don’t know. How much does Toscanini get?”
. 1942 ~ Bill Francis, Keyboard, singer with Dr. Hook and the Medicine Show
. 1942 ~ Kay Kyser and the band recorded A Zoot Suit for Columbia Records. The tune is about the problems associated with wearing this garish, exaggerated ‘hep’ fashion.
. 1946 ~ Katia Ricciarelli, Italian soprano
. 1946 ~ Ronnie Milsap, Grammy Award-winning singer in 1976, CMA Male Vocalist of the Year (1974, 1976, 1977), CMA Entertainer of the Year (1977), blind since birth, he learned to play several instruments by age 12
. 1957 ~ The Cavern Club opened for business in Liverpool, England. The rock club was just a hangout for commoners. Then, things changed — big time. It all started in the early 1960s when four kids from the neighborhood popped in to jam. They, of course, turned out to be The Beatles.
. 1962 ~ Paul Webb, Bass with Talk Talk
. 1964 ~ “Hello Dolly!” opened at the St. James Theatre in New York City. CarolChanning starred in the role of Mrs. Dolly Levi. The musical was an adaptation of Thornton Wilder’s play, “The Matchmaker”. The show, with an unforgettable title song, was hailed by critics as the “…possible hit of the season.” It was possible, all right. “Hello Dolly!” played for 2,844 performances. And, it returned to Broadway in the 1990s, again starring Carol Channing.
. 1972 ~ David Seville died on this day in Beverly Hills, CA. Born Ross Bagdasarian, the musician was the force, and artist, behind the Alvin and the Chipmunks novelty songs of the 1950s, ’60s and ’70s.
. 1976 ~ The album, “Frampton Comes Alive”, was released by Herb Alpert’s A&M Records. The double LP soon reached the top spot of the album charts and stayed perched there for 17 weeks. It sold 19 million copies in its first year.
. 1984 ~ Michael Jackson received eight awards at the 11th annual American Music Awards this night.
. 2001 ~ Eleanor Lawrence, a flutist who played often in chamber music performances and with several orchestras in New York City, died of brain cancer at the age of 64. She is credited with transforming a simple newsletter into an important source for flutists. Lawrence studied the flute at the New England Conservatory with the principal flutist of the Boston Symphony Orchestra, James Pappoutsakis. She later studied with flutists from the Philadelphia Orchestra and the Metropolitan Opera orchestra. She joined the American Symphony Orchestra and the Brooklyn Philharmonic after moving to New York in the 1960s. She played periodically with the New York Philharmonic and the Metropolitan Opera. Besides performing, Lawrence taught at the Manhattan School of Music. She served three times as the president of the New York Flute Club. She edited The National Flute Association Newsletter, now The Flutist Quarterly, from the mid-1970s to the early 1980s, expanding it from a brief information sheet to a publication with regular interviews.