Piano versus violin: the eternal battle to be the dominant player

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The thought-provoking talk on February 10th was given by Keith Pascoe, second violinist of the Vanbrugh Quartet, in connection with tomorrow night’s violin and piano recital by Ray Chen and Julien Quentin. Pascoe came up with a great title, David and Goliath, The Ballet of Unequals: A Stradivari and Model D Steinway Recital. Using videos from YouTube as illustrations (which unfortunately allowed in snippets of a couple of unwanted advertisements), Pascoe began at the beginning, with the emergence of the piano and violin as instruments in their own right, and traced some of the changes they have both undergone in the centuries since.

The piano has become bigger, stronger and louder. Not only were extra notes added to the keyboard, but the early wooden frames were replaced with cast iron. The violin may not have grown externally, but the shape of the body was remoulded, the neck and fingerboard realigned, and internal buttressing extended, all with the intention of producing greater sound.

What composers did with the combination of violin and piano – and before that, violin and harpsichord – changed too. In the typical baroque violin sonata, the violin was to the fore. In the classical era, the roles were reversed, although this reversal has long been dishonoured by performers. And in the 19th century, the balance as we know it today began to take hold. That balance usually presents the two performers in a master-servant relationship, the violinist usually the boss whose bidding is carried out by the pianist.

Read the entire article at Piano versus violin: the eternal battle to be the dominant player.

February 14 ~ Today in Music History

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Happy Valentine’s Day

. 1602 ~ Pier Francesco Cavalli, Italian opera composer

. 1813 ~ Alexander Dargomyzhsky, Russian composer

. 1882 ~ Ignace Friedman, Polish pianist and composer

. 1894 ~ Jack Benny (Benjamin Kubelsky), The stingy, violin-playing, perennial-39- year-old comedian of radio, television and vaudeville

. 1923 ~ Cesare Siepi, Opera basso

. 1925 ~ Elliot Lawrence (Broza), Emmy Award-winning composer, conductor, arranger, musical director of Night of 100 Stars, Night of 100 Stars II,

. 1993, 1994, 1995 Kennedy Center Honors; Tony Award: musical direction: How to Succeed in Business without Really Trying

. 1931 ~ Phyllis McGuire, Singer

. 1934 ~ Florence Henderson, Singer

. 1946 ~ Gregory Hines, Dancer
More about Hines

. 1950 ~ Roger Fisher, Guitarist with Heart

. 1957 ~ Lionel Hampton’s only major musical work, “King David”, made its debut at New York’s Town Hall. The four-part symphony jazz suite was conducted by Dimitri Mitropoulos.

. 1972 ~ “Grease” opened at the Eden Theatre in New York City. The musical later moved to the Broadhurst Theatre on Broadway where it became the longest- running musical ever with 3,388 performances. A hit movie based on the stage play starred John Travolta and Olivia Newton-John and produced the hit song, Grease, byFrankie Valli, You’re the One That I Want and Summer Nights by Travolta and Newton-John.

. 1984 ~ British rocker Elton John married Renata Blauel in Sydney, Australia on this day.

. 1998 ~ Frederick Loewe American composer of musicals, died
More information about Loewe

. 2003 ~ Jack Maher, 78, who served more than three decades as publisher of respected jazz magazine Down Beat and its parent company, Maher Publications, died. Down Beat began in 1934 to chronicle the comings and goings of touring swing bands. A previous owner forfeited the magazine to his printer, Mr. Maher’s father, John Maher. After his father died in 1968, Jack Maher put up his own money to acquire Down Beat, outbidding Playboy founder and jazz aficionado Hugh Hefner. Mr. Maher was credited with transforming Down Beat into a leading forum on jazz, with a roster of writers that included Leonard Feather, Nat Hentoff, Dan Morgenstern and Ira Gitler. He changed a number of his father’s policies, including one that had frowned on putting pictures of black musicians on Down Beat’s cover.

. 2004 ~ Joe McFarlin, whose late-night shows on WCCO radio featured big bands, swing and traditional jazz for a quarter-century, died. He was 78. McFarlin was as a nightly presence on 830 AM during the 1960s, ’70s and ’80s, attracting a following across the country. McFarlin retired from WCCO in 1992. Management and format changes had reduced his broadcast to about two hours on the weekends and he was forced to choose from a jazz-free play list. He served as a U.S. Navy signalman during World War II and was stationed in the Philippines and Pearl Harbor. McFarlin began his radio career in 1947 at WREX in Duluth and worked at several other stations before moving to the Twin Cities in 1961, where he worked at KRSI before joining WCCO.

February 1 ~ Today in Music History

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. 1669 ~ Miquel Lopez, composer, born. He died sometime in 1723

. 1671 ~ Francesco Stradivari, Italian violin maker

. 1862 ~ The Battle Hymn of the Republic was first published in “Atlantic Monthly”. The lyric was the work of Julia Ward Howe. The Battle Hymn of the Republic is still being sung and to the tune of a song titled John Brown’s Body.

. 1869 ~ Victor Herbert, Composer, cellist and conductor of the Pittsburgh Symphony. He composed operettas such as Babes in Toyland, Naughty Marietta and songs like Ah Sweet Mystery of Life (At Last I’ve Found You)

. 1877 ~ Thomas Frederick Dunhill, English composer and writer on musical subjects

. 1904 ~ Enrico Caruso recorded his first sides for Victor Records. He did ten songs in the session and was paid only $4,000.

. 1907 ~ Mozart Camargo Guarnieri, Brazilian composer

. 1934 ~ Bob Shane, Singer with The Kingston Trio

. 1937 ~ Don Everly born, Singer with his brother, Phil, in The Everly Brothers. Some of their hits were: Wake Up Little Susie, Bye Bye Love, Cathy’s Clown and All I Have To Do Is Dream

. 1937 ~ Ray Sawyer, Singer with Dr. Hook and The Medicine Show

. 1939 ~ Benny Goodman and his orchestra recorded And the Angels Sing on Victor Records. The vocalist on that number, who went on to find considerable fame at Capitol Records, was Martha Tilton.

. 1940 ~ Frank Sinatra sang Too Romantic and The Sky Fell Down in his first recording session with the Tommy Dorsey Band. The session was in Chicago, IL. Frankie replaced Jack Leonard as lead singer with the band.

. 1941 ~ “Downbeat” magazine reported this day that Glenn Miller had inked a new three-year contract with RCA Victor Records. The pact guaranteed Miller $750 a side, the fattest record contract signed to that time.

. 1949 ~ RCA Victor countered Columbia Records’ 33-1/3 long play phonograph disk with not only a smaller, 7-inch record (with a big hole in the center), but an entire phonograph playing system as well. The newfangled product, the 45- rpm, which started a revolution (especially with the new rock and roll music), soon made the 78-rpm record a blast from the past.

. 1952 ~ Rick James (James Johnson), Singer

. 1954 ~ Mike Campbell, Guitarist with Tom Petty and The Heartbreakers

. 1968 ~ Elvis Presley celebrated the birth of his daughter, Lisa Marie. Lisa Marie married and divorced the ‘Gloved One’, Michael Jackson, in the ’90s.

. 1971 ~ The soundtrack album from the movie, “Love Story”, starring Ryan O’Neal and Ali McGraw, with music by Frances Lai, was certified as a gold record on this day.


. 2002 ~ Hildegard Knef, a smoky voiced actress and singer who starred in Germany’s first post-World War II movie and scandalized church officials with a 1951 nude scene, died of a lung infection at a Berlin hospital. She was 76. Knef became a star for her role as a former concentration camp inmate returning home in Wolfgang Staudte’s 1946 “Murderers Are Among Us.” Knef, who sometimes went as Hildegrad Neff in the United States, appeared in
More than 50 films, most of them made in Europe. She reportedly turned down a Hollywood studio contract after being told she would have to change her name and say she was Austrian, not German. She scandalized Roman Catholic authorities with a brief nude scene in the 1951 German film “The Story Of A Sinner.” Her work in the United States included the role of Ninotchka in Cole Porter’s Broadway musical “Silk Stockings” in the 1950s, and a supporting role in “The Snows of Kilimanjaro.” She launched a career as a singer in the 1960s and wrote a best-selling 1970 autobiography. She continued to act and sing almost until the end of her life, appearing as herself in the 2000 documentary “Marlene Dietrich: Her Own Song” and in the 1999 German comedy, “An Almost Perfect Wedding.”

. 2003 ~ Latin jazz musician Ramon “Mongo” Santamaria, a Cuban-born percussionist and bandleader known for his conga rhythms, died in Miami at age 85. He was best known for his 1963 recording of Herbie Hancock’s song Watermelon Man, which became his first Top 10 hit. In 1959, Santamaria penned Afro Blue, which quickly became a jazz standard covered by stars such as Count Basie and Dizzy Gillespie. Born in Havana, Santamaria performed at Havana’s famed Tropicana Club before moving to New York City in the early 1950s, touring with the Mambo Kings and performing with Tito Puente and Cal Tjader. Santamaria recorded scores of albums in a career that spanned nearly 40 years, mixing rhythm and blues with jazz and hip-swaying conga. In 1977 he was awarded a Grammy for Best Latin Recording for his album “Amancer.” In recent years, he divided his time between Manhattan and Miami.

Happy Birthday, Mozart!

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Putting Mozart on the Map

What better way to get things started than with a party?

At Wolfie, that means the first worldwide event in honor of Mozart’s birthday – taking place this Tuesday, January 27th! Every musician – concert pianist or 2nd-grader – playing a score on the Wolfie app on January 27th will automatically appear on an interactive world map at www.wolfiepiano.com.

Share this special event with colleagues and inspire your students by enabling them to take part in a worldwide event that will connect them to piano players around the world! It all starts by joining the event, here.

Finally, we’d love to hear from you. You, Mozart’s ambassadors, are keeping his legacy alive and instilling the gift of music appreciation into young peoples’ lives every day.

See you on Tuesday – on the map!

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Wolfgang Amadeus MozartWolfgang Amadeus Theophilus Mozart lived between 1756 and 1791. He is considered to be a classical composer. Mozart, born in Salzburg, Austria, began composing before most children go to kindergarten. By the time he was six he had played the piano and violin in public.

A Wunderkind, a prodigy of the first rank before the age of five, Mozart astounded the musical world with compositions of unsurpassed brilliance. His father Leopold had recognized his talent at the age of three and immediately set out to teach him to play the harpsichord, violin, and organ. Mozart and his sister made their debut in Munich when he was just six and traveled about Europe together, performing at courts and before royalty, always with success. While still a little child Mozart was inventing symphonies, sonatas, and his first opera. Legends abound about how Mozart could hear an entire work in his head and write everything down without making even one change.

As a child performer he was often treated as a freak. People would cover his hands as he played the piano, make him compose tunes on the spot and perform all sorts of other musical tricks.

In 1787 Mozart became court composer to Joseph II. He played for royalty, received commissions from aristocrats and in his short lifetime composed nearly a thousand masterpieces, including symphonies, operas, serenades, sonatas, concertos, masses, vocal works, and church works.

Mozart was a prolific composer writing masterpieces using every form of music, including his operas “The Marriage of Figaro” (based on a play by Pierre Beaumarchais), “Don Giovanni”, “Cosi fan tutte” and “The Magic Flute”. His mastery of instrumental and vocal forms, from symphony to concerto and opera, was unrivalled in his own time and perhaps in any other.

Composing the Requiem Mass commissioned for Count Walsegg, he felt he was writing his own requiem and he died before it was finished.

Wolfgang Amadeus Mozart, composer, died in Vienna Austria at the age of 35, penniless, on December 5th, 1791, of malignant typhus. Mozart, the precocious child prodigy, composed several pieces that are deemed central to the classical era. Though he ranked as one of the greatest musical genius, he did not live a life of affluence as none of his compositions earned him a decent commission but the world is forever enriched by such works as Eine Kleine Nachtmusik, the Symphonies No. 38 through 41 and the Coronation Mass.

In the year 2000, there have were some new discoveries about Mozart’s death

     Mozart’s birthday

     Mozart’s son, Wolfgang Amadeus Franz Xavier Mozart

     Listen to Mozart’s music.

You might be surprised to hear what “Ah Vous Dirais-je Maman” is!


     Read quotes by and about Mozart

     In Praise of Pianos and the Artists Who Play Them

     Guess what my li’l Chopin played today

     History of the Piano

     Mozart’s first public concert with his sister

     Books and CD’s by Mozart

         Mozart for Children

     Read Amazon.com’s Get Started in Classical feature

University offers opera instead of traditional discipline

 

 

January 1 ~ Today in Music History

Happy-New-Year

 

Happy New Year!

• 1701 ~ Johann Joachim Agrell, Composer
More information about Agrell

• 1735 ~ Paul Revere, American patriot and music engraver

• 1764 ~ In a stunning demonstration of prodigious talent, the Royal Family at Versailles in France was treated to a brilliant recital by an eight year old musician. His name was Wolfgang Amadeus Mozart.

• 1878 ~ Edwin Franko Goldman, Composer

1900 ~ Xavier Cugat (Francisco de Asís Javier Cugat Mingall de Brue y Deulofeo). Spanish violinist, composer and band leader, married to Abbe Lane and Charo
More information about Cugat

• 1916 ~ Earl Wrightson, Actor, singer

• 1923 ~ Milt Jackson, Vibes with The Modern Jazz Quartet

• 1925 ~ Lucrezia Bori and John McCormack of the famous Metropolitan Opera in New York City made their singing debuts on radio this day. The broadcast over what was WEAF Radio (now WABC) encouraged others to sing on radio. Some of those were Hootie and the Blowfish, and Barry Manilow.

• 1928 ~ Frank Pourcel, Composer, violinist

• 1942 ~ Country Joe McDonald, Singer with Country Joe & the Fish

• 1953 ~ A sad day in country music, as the legendary Hank Williams died at the young age of 29. Undisputedly, the biggest star in the history of country music, Hank Williams’ legacy is being carried on by his son, Hank Williams, Jr.

• 1955 ~ Elvis Presley appeared at The Eagles Hall in Houston Texas. Presley went on to play over 250 shows in 1955.

• 1968 ~ A group known as The Blue Velvets decided to change its name this day and it’s a good thing they did. The new name soon became a national pop music favorite as Creedence Clearwater Revival climbed to stardom.

• 1972 ~ Maurice Chevalier passed away

• 1984 ~ Alexis Korner passed away

• 2000 ~ Ray Walston, who found commercial success playing a comical devil in the play “Damn Yankees” and an extraterrestrial on the sitcom “My Favorite Martian,” of natural causes at the age of 86. Walston caught the biggest break of his career when he won a Tony in 1955 for his performance in Broadway’s “Damn Yankees.” The smash musical told the story of a frustrated baseball fan who sells his soul. His screen debut came in the 1957 movie “Kiss Them For Me” with Cary Grant, and the next year he played the devil again in the film version of “Damn Yankees.” Walston snagged the role that would stick with him for a lifetime – that of a lovable alien on the TV show “My Favorite Martian” in 1963. The show was immensely popular, but Walston felt so typecast that he tried to highlight his dramatic abilities by returning to the stage when the TV comedy went off the air in 1966. He stayed in theater for several years before re-emerging with a succession of solid supporting roles in movies and television. Nearly 30 years after the end of the lighthearted “My Favorite Martian,” Walston’s role on “Picket Fences” as acerbic Judge Henry Bone earned Walston successive Emmys in 1995-96.

 

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Ludwig Van Beethoven Piano Trios Opus 70 No. 2, Opus 97 “Archduke” | World Music Report

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Beethoven’s first published works—his Opus No.1—were three trios for piano, violin and cello and already they show a marked advance on Haydn’s trios in the comparative interdependence of the three parts. Their freedom from Haydn’s oppressive formality looks forward to the first mature trios, the pair that comprises Opus 70, displaying all sorts of harmonic twists, thematic innovations and structural idiosyncrasies, these trios make much of the piano part and contain plenty of dramatic outbursts that are typical of Beethoven’s middle period.

Even more arresting is the first of the Opus 70 trios (1808) nicknamed ”The Ghost” because of its mysterious and haunting Largo. Its sibling boasts a cheerful bombastic finale that is the most entertaining music that Beethoven composed for this combination of instruments.

The “Archduke” Trio Opus 97 (1811) was Beethoven’s last full – scale work for piano trio and is typically conclusive. The third movement is its centre of gravity, a highly moving set of variations with the cello dominating the thematic content. It opens with a hymn-like theme and progresses to a coda which magnificently sums up the movements ideas. The finale might be less powerful than that of Opus 70 No. 2, but it nevertheless has a sweeping rhythmic power. Again, it is beyond the shadow of a doubt that Beethoven defined the piano trio form that it retained throughout the 19th century by allowing the string instruments the status of genuinely equal partners in this superlative performance.

 

Read more at Ludwig Van Beethoven Piano Trios Opus 70 No. 2, Opus 97 “Archduke” | World Music Report.