For a musical family on the Plains of South Dakota, it was a tragedy that left ashes in the soul – not just that a fire on Nov. 26, 1898, burned down the log house at Oahe Mission north of Pierre, but also that it destroyed the Steinway Grand Piano inside.
It was that same Steinway that had traveled up the Missouri River by steamboat for Nina, the first wife of missionary Thomas L. Riggs, in the early 1870s when the Missouri River country was still Dakota Territory. It supplied just the right tone, full and powerful, to fill that big empty space in the grassland. It helped carry the message of the ancient faith to Dakota and Lakota converts through music.
Very likely it was on the Steinway that Nina taught her first son, Theodore Foster Riggs, what a piano sounded like after he was born in 1874; probably it was a silent reminder of Thomas Riggs’ grief when Nina died in childbirth in August 1878. In spring 1885, when Louisa Irvine Riggs, also with a love for music, moved into the log home at Oahe Mission as the second Mrs. Riggs, the Steinway sat along one wall; and she started to play.
And now, in November 1898, it was burned to cinders…
Well-maintained pianos can make music for 50 to 70 years, said Peter Stumpf, a piano technician for the Pittsburgh Symphony Orchestra and Carnegie Mellon University, also in Pittsburgh.
Stumpf acknowledged new piano retailers are challenged by technicians like him who restore well-made used pianos and sell them at a fraction of the cost.
The piano’s design, durability and new flexibility brought by technology helps keep the instrument created by Italian Bartolomeo Cristofori more than 300 years ago relevant today, said Joe Lamond, president and CEO of the National Association of Music Merchants, a music products industry trade association.”Having all the notes laid out in front of you spatially is really an important way to learn music,” he said. “It’s why it’s one of the most important instruments for people to begin on. That’s not going to change.”
I have to admit that I’m kind of a piano bench hoarder. I save them from every piano and electric keyboard I’ve ever owned.
I was playing the grand piano the other day and noticed that the music rack was further away than it used to be. I don’t think that the piano grew any so I must have shrunk.
I have an adjustable piano bench but it’s brown from an old baby grand I once had. It’s also for only one person to play solo so I bought a new adjustable duet bench in black.
I was surprised to see that amazon has a lot of piano benches for sale. I don’t know why I was surprised since they seem to have everything else.
I chose this one since the reviews were good and the price seemed reasonable:
Comfortable Padded Cushion – Thickened cushion is made of scratch-resistant PU leather with 6 decorative buttons and filled with high-resilience sponge, which is soft, but not easy to deform. Even if you sit on it for a long time practicing the piano, you won’t feel tired. The surface is also water-resistant and easy to clean.
Height Adjustable – This piano seat comes with dual side knobs that adjust the bench height between 19.29″/49cm-23.23″/59cm to accommodate a wide range of heights for both adults and children.
Music Storage Compartment – Built-in storage compartment beneath the seat provides roomy space for your sheet music and accessories, folding lip support makes it convenient to open.
Sturdy Wooden Frame – The frame of this piano stool is made of solid wood, which is sturdy enough to hold up to 330lbs/150kg. Anti-slip rubber pads at bottom of legs protect your floor from being scratched and add extra stability. Classic black color suitable for various decorations.
Easy Assemble – No other drills are needed to install this piano bench with storage. All you need to install are the 4 legs. In addition to piano stool, it can also be used as keyboard stool, vanity stool, etc.
Hopefully, it is truly easy to assemble and we can get the legs installed before students return from winter break!
Today, since it’s a “teaching day”, I’m thankful for my piano studio, my students, and my piano 🙂
When I was growing up, my dad was a minister, meaning we lived in whatever parsonage the church chose to let us live in. The one we had in Pawcatuck, CT had an upright piano that someone had put out in the sunroom. Not the best place for a piano, but I digress.
Since we had the piano already, someone – probably my mom – decided that I would take lessons. We had the organist from the Baptist church just across the river in Westerly, RI
Apparently, Clara Pashley was fondly remembered at the church (now Central Baptist Church) since she was mentioned in an article from 2010.
Miss Pashley walked to our house each week and taught me (and my mom who was always listening in) piano for the grand sum of 25 cents.
I started with Ada Richter’s classic Teaching Little Fingers to Play, which has now been morphed into the John Thompson library.
From there, it was the Michael Aaron series, and some sheet music.
There was no music store in our town, so I have no idea where any of this music came from – but I still have it all.
My parents did very well for their quarter a week investment, especially since my mom paid good attention and was able to beef up lessons she’d had as a child. Later on, she played well enough that she was church organist for a local Roman Catholic Church.
But I digress…
In those days, kids couldn’t do a whole lot of activities, so in 6th grade, I decided I wanted to be a Girl Scout. Bye, bye Clara.
Girl Scouts didn’t last long but I did play piano in a talent show. I remember, I carefully cut Burgmüller’s Ballade out of my Michael Aaron book and made a nice construction paper cover. (I still have this, too)
I doubt that I played this well but here’s what it was supposed to sound like:
A few years intervened and we moved to Springfield, MA. The parsonage piano there was in terrible shape and in the dark, never-used basement. But I decided to make it mine and cleared up the area around it and started “practicing”.
My Junior or Senior year of High School I decided I wanted to major in music in college. I decided to learn, on my own, a piano arrangement of Aragonnaise by Jules Massenet. I have no idea why or where that sheet music came from but I started working furiously on this piece.
Hopefully, at some point, it should have sounded like this:
I started pedaling (no pun intended!) my music to the Universities of Connecticut and Massachusetts and ended up at UMass Amherst since we were state residents.
Early morning gym classes (usually swimming), then wet hair traipsing across campus to music theory classes in a trailer aka”Parko” in winter 5 days a week. AARRGGH!
I took yet another break from piano lessons – but I kept playing.
After DH graduated, we moved to Milwaukee, WI for his graduate school. Besides working 2 jobs, I found time to commandeer the practice rooms at the University of Wisconsin. I also found a teacher at the Schaum School of Music. She was amazed that I had no piano at home to practice on.
When we later moved to Alexandria, VA my DH gave me a choice of new car or piano. So, I found a used piano. The owner had acquired it in a divorce and wanted it gone. Yesterday. She even paid to move it out of her apartment.
The new-to-me piano took up half our living room. When my parents came to visit, their feet were under my piano as they slept on cots.
I found yet another new piano teacher and she is still my best friend to this day.
That piano moved to several locations before I bought a brand new Yamaha grand piano. The movers accidentally brought in the wrong one and I made them return it. The people who lived in an apartment were probably unhappy when they had to return my piano and take their own new baby grand back.
I started teaching as a traveling piano teacher in Silver Spring, Maryland. I continued that in Wilmington, DE.
When we got to Fairfax, VA I decided no more traveling. Students would come to me. And so they have since 1973.
What is supposed to be our living room is filled with music books, electric keyboards, the grand piano, 2 organs, 2 violins, 2 clarinets, a hand-made (by me!) dulcimer, a balalaika, autoharp, electric violin, recorders, aerophone (digital saxophone/clarinet/trumpet/other instrument sounds) and other musical “stuff”.
Piano playing has gotten me through the worst times of my life. Teaching has been a lifeline for me, as well.
I am so thankful for the students who have stayed with me over the years.
The final movement is the best known part of the symphony, thanks to its use in the Julia Roberts movie, Sleeping With The Enemy. It features a four-part structure, which Hector Berlioz described in his own program notes from 1845 as follows:
“He sees himself at a witches’ Sabbath, in the midst of a hideous gathering of shades, sorcerers and monsters of every kind who have come together for his funeral. Strange sounds, groans, outbursts of laughter; distant shouts which seem to be answered by more shouts. The beloved melody appears once more, but has now lost its noble and shy character; it is now no more than a vulgar dance tune, trivial and grotesque: it is she who is coming to the Sabbath… Roar of delight at her arrival… She joins the diabolical orgy… The funeral knell tolls, burlesque parody of the Dies irae, the dance of the witches. The dance of the witches combined with the Dies irae.”
The Dies irae melody is one of the most-quoted in musical literature, appearing in the works of many diverse composers.
The traditional Gregorian melody has also been used as a theme or musical quotation in a number of classical compositions, notable among them:
Pianist and composer Sonya Belousova celebrated 30 years of Super Mario Bros. with an epic piano medley on the world’s coolest piano.
YouTube channel Player Piano had Belousova play the tribute to the late Nintendo president Satoru Iwata on a piano styled after a classic Nintendo Entertainment System. While the medley is good, it’s the amazingly detailed piano that stands out.
The bench looks like a Nintendo controller, while the piano itself is modeled after the console. It comes complete with power and reset buttons as well as connection cords. The flip top door can cover the keys, which Belousova appropriately takes the time to blow on at the end!
The American Fotoplayer is a type of photoplayer developed by the American Fotoplayer Company between the years of 1912 and 1925. The Fotoplayer is a type of player piano specifically developed to provide music and sound effects for silent movies.
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The appeal of the Fotoplayer to theatre owners was the fact that it took no musical skill to operate. The Fotoplayer would play the piano and pipe organ mechanically using an electric motor, an air pump, and piano rolls while the user of the Fotoplayer would follow the onscreen action while pulling cords, pushing buttons, and pressing pedals to produce relatable sounds to what was occurring onscreen. These actions could create sounds such as a steamboat whistle, a bird chirp, wind, thunder, a telephone bell, as well as many others. On Fotoplayers specifically, most effects were created using leather cords with wooden handles on the ends which the effects were directly connected to. For example, the steamboat whistle sound effect was created using a household bellows with a whistle at the end. Pulling the cord compressed the bellows, delivering a gust of air into the whistle. Creating a drum roll on the other hand was a bit more complicated. A clockwork device was needed to time the strikes of the drum which required constant winding.
What’s so neat about the Wing and Sons Piano? Check out the five (yes, 5!) pedals. Most pianos have 3, or sometimes 2 pedals.
Established in 1868, the Wing & Son Piano Company quickly became a masterclass in innovative marketing! Originally launched as Doan, Wing & Cushing, the company manufactured the usual square grand and upright pianos like many of its competitors. But in 1873, when Frank L. Wing took the reins and incorporated the business as Wing & Son Piano Company, things started to change – and fast!
Frank L. Wing believed that a piano should be more than just an instrument; it should bring the richness of an entire orchestra into the home. To fulfill this vision, Wing & Son introduced an exciting innovation: the 5-pedal mechanism. Unlike standard pianos, these pedals could imitate the sounds of various string instruments, including the mandolin, guitar, zither, harp, and banjo. This feature gave their pianos an edge, allowing players to explore new musical depths. The pedals, labeled Mandolin, Orchestra, Expression, Soft, and Forte, made these instruments a hit with musicians who wanted more than just a standard piano sound.
But it wasn’t just the piano’s features that made Wing & Son stand out—it was Frank Wing’s marketing genius. Rather than relying on expensive showrooms or high-pressure sales tactics, Wing & Son took a unique approach. They published beautifully illustrated catalogs titled “The Book of Complete Information About Pianos.” These catalogs were designed to educate the average person on how pianos were made, demystifying the manufacturing process. Once the reader felt like a piano expert, the catalogs skillfully highlighted why Wing & Son pianos were superior. This soft-sell strategy worked wonders!
By selling directly from these lavish catalogs, Wing & Son eliminated the need for showrooms, keeping their prices competitive. They also offered free trials and flexible financing, making their pianos accessible to a broader audience—especially in rural areas, where the nearest piano showroom was often miles away.
Unfortunately, like many businesses, Wing & Son couldn’t withstand the economic downturn of the Great Depression, and by 1931, the company seemed to have faded away. But for decades, Wing & Son was at the forefront of both piano innovation and clever marketing, proving that a little creativity can go a long way in making a business sing.
Steinway Place, Queens, New York, 11105. steinway.com or 718-721-2600.
It all begins with bare wood, rough and fragrant.
Skilled craftsmen then use muscle, fine motor skills and magic to transform simple planks into magnificent instruments. In the bridge-notching process, the “bellymen” use tools they’ve constructed themselves, the better to execute this highly skilled operation.
Alaskan Sitka Spruce becomes a soundboard, with ribs of Sugar Pine.
Eighty-eight keys, 88 hammers, more than 230 strings — all are carefully created, installed and tested in every piano.
All in all, it takes about 11 months to make a Steinway grand piano.
Steinway & Sons has been located in the same spot in the Astoria section of Queens since the early 1870s. Founded in 1853 in a loft on Varick Street in Manhattan, the company’s reputation grew quickly, and the company needed space to expand their operations.
Factory tours are offered from September through the end of June. (Factory tours are not available in July and August.) Tours are scheduled from 9:30 a.m. to noon on Tuesdays, for a maximum of 15 people.
Needless to say, tours fill up quickly and must be booked in advance. Steinway currently has no openings for the rest of 2017 and is not yet taking reservations for 2018. Plan way ahead, and check for updates by emailing tours@steinway.com or by calling 718-721-2600.
MaryO'Studio 