• 1834 ~ Amilcare Ponchielli, Italian composer
More information about Ponchielli
• 1903 ~ Arthur (Morton) Godfrey, Ukulele playing, TV/radio entertainer
1918 ~ Alan Jay Lerner, American lyricist for the musical theater
Read quotes by and about Lerner
More information about Lerner
• 1930 ~ Dudley “Big Tiny” Little Jr, American pianist on the Lawrence Welk Show
• 1939 ~ Jerry Allison, Drummer with The Crickets
• 1939 ~ Frank Sinatra recorded All or Nothing at All with the Harry James Band. The tune failed to become a hit until four years later – after Ol’ Blue Eyes had joined the Tommy Dorsey Orchestra.
• 1945 ~ Itzhak Perlman, Israeli-born American violinist, recorded with André Previn and Scott Joplin
• 1945 ~ Van Morrison, Songwriter, singer with Them
• 1955 ~ Anthony Thistlethwaite, Saxophone with The Waterboys
• 1957 ~ Glenn Tilbrook, Guitar, singer, songwriter with Squeeze
• 1959 ~ Tony DeFranco, Singer with The DeFranco Family
• 1970 ~ Debbie Gibson, Singer
• 1976 ~ A judge ruled that George Harrison was guilty of copying from the songHe’sSo Fine (a 1963 Chiffons hit). The judge said that the chorus to Harrison’s My Sweet Lord was identical to He’s So Fine and it eventually (appeals went on for about five years) cost the former Beatle over half a million dollars.
• 1987 ~ This day saw the largest preorder of albums in the history of CBS Records. 2.25 million copies of Michael Jackson’s Bad album were shipped to record stores. The LP followed in the tracks of the Jackson album, Thriller, the biggest Jackson-seller of all time (35 million copies sold). The Bad album was successful but sold only 13 million copies.
• 2002 ~ Lionel Hampton, American Jazz vibraphone player and actor, died at the age of 94
• 2016 ~ Jacques Leduc, Belgian composer, died at the age of 84
Today, we’ll be listening to the end of the William Tell Overture by Gioachino Rossini. This piece, originally the overture to an opera, has been arranged for piano and is in several method books, including Piano Pronto Movements 1 and 2. It’s also in Bastien Book 4 and Piano Maestro.
The original story
Maybe your grandparents watched the original Lone Ranger
Or you saw the newer Lone Ranger with Johnny Depp
Here’s the entire William Tell Overture played by an orchestra
Piano Solo
Franz Liszt made a really hard version for piano solo. See if you can follow along!
Piano Duet (1 piano, 4 hands)
Piano Duet arranged by Louis Moreau Gottschalk
Piano Duo (2 pianos, 8 hands)
Piano Quartet (4 pianos, 16 hands)
For pipe organ
For synthesizer
And then things get nuts with cartoons. Lots of cartoons used this music. Here are Mickey Mouse and friends
And Spike Jones
Handbells…
Poor Rossini – I think he’d have a fit if he knew how is music was being used.
• 1842 ~ (Victor) Alphonse Duvernoy, French pianist and composer. His works include operas, various pieces for piano and orchestra, chamber music, songs and piano music (including a set of 100 studies).
• 1853 ~ Percy Goetschius, American music teacher and critic
• 1919 ~ Kitty Wells (Muriel Ellen Deason),‘The Queen of Country Music’, Country Music Hall of Fame, married to Johnny Wright
• 1922 ~ Regina Resnik, American mezzo-soprano
• 1922 ~ The New Orleans Rhythm Kings recorded Tiger Rag, one of the most familiar ragtime jazz tunes ever. It was released on the General record label.
• 1935 ~ John Phillips, Singer with The Mamas & The Papas, actress MacKenzie Phillips’ father
• 1941 ~ John McNally, Singer, guitarist with The Searchers
• 1945 ~ Van Morrison, Irish blues-rock singer, songwriter and instrumentalist
• 1968 ~ The Beatles recorded their first songs for their own Apple label. The initial session included the big hits Revolution and Hey Jude.
• 1968 ~ The stars came out for charity as John and Yoko Lennon hosted the One on One concert in New York’s Madison Square Garden. Among the music greats appearing were Stevie Wonder and Roberta Flack. Over $250,000 was raised to aid mentally retarded children.
• 1984 ~ Beatles fans paid $271,180 dollars for memorabilia at an auction in London, England. An unpublished manuscript by John Lennon brought the largest amount – $23,056. A snare drum belonging to Ringo Starr brought $1,440.
These days, there is much pressure for parents to begin their children in activities from an early age. We know that children tend to pick up new skills easily and we want for them to have an opportunity to become experts at these new skills. We also see curiosity, desire and eagerness to learn in our children and want to capitalize on that.
Music lessons are no exception. We often get calls asking the question, “When is the best time to enroll my child in piano lessons?” The answer to that is a tricky one, and varies for each child. The right age for one may not be the right age for another. Here are a few questions to ask yourself if you are considering enrolling your child in music lessons:
1. Does my child have an attention span to sit still for chunks of time and listen to instruction?
Many teachers today are very creative in using off-bench activities during lessons and have a plethora of activities to make lessons fun and engaging. However, the fact remains that your child will need to sit at the piano for some periods of time during the lesson. It is important that your child have the attention span to do this.
• 1920 ~ Charlie Parker, American jazz alto saxophonist
Read quotes by and about Parker
More information about Parker
• 1924 ~ Dinah Washington (Ruth Lee Jones), Singer, Lionel Hampton’s band from 1943 to 1946
• 1928 ~ Thomas Stewart, American baritone
• 1942 ~ Sterling Morrison, Bass, guitar, singer with The Velvet Underground
• 1943 ~ Paul Whiteman Presents, a summertime radio replacement show, was heard for the last time. The hostess for the show was Dinah Shore. Whiteman’s 35-piece orchestra serenaded listeners on the NBC radio network. Whiteman’s well~known theme song was Rhapsody in Blue, composed by George Gershwin.
• 1946 ~ Ella Fitzgerald and The Delta Rhythm Boys recorded It’s a Pity to Say Goodnight on Decca Records. The song turned out to be one of Lady Ella’s most popular.
• 1964 ~ Roy Orbison’s Oh, Pretty Woman was released. It hit number one (for 3 weeks) on September 26th and became the biggest of his career. The title was inspired by Orbison’s wife Claudette interrupting a conversation to announce she was going out; when Orbison asked if she was okay for cash, his co-writer Bill Dees interjected: “A pretty woman never needs any money.” Oh, Pretty Woman was Orbison’s second #1 hit. The other was Running Scared on 6/05/61.
• 1966 ~ The Beatles performed at Candlestick Park in San Francisco, CA. It was the group’s last live appearance before they disbanded in 1970.
• 1986 ~ The former American Bandstand studio, at the original home of WFIL-TV in Philadelphia, PA, was placed on the National Register of Historic Places. The studio is located at 4548 Market Street. We expect that any day now, Bandstand host Dick Clark will also be placed on the National Register.
• 2018 ~ Paul Taylor, American dancer and choreographer (Paul Taylor Dance Company), died at the age of 88.
1. When choosing a location for your piano, select a space that is lived-in, welcoming, and well-lit. Keep it close to “the action” but not in the action. Your children will gravitate to the piano more often if it is in a central place in your home. Avoid bedrooms, basements and other “put away” places. Feeling shut-off from the family while practicing will inevitably lead to a reluctance to spend time on the piano.
While choosing an appropriate space, also consider the noise factor; not only from the piano, but also from your family’s day-to-day activities. Your children want to be close by, but not competing with noise from TV’s, dishwashers and washing machines.
2. Make the space warm and welcoming. Your children will be encouraged to spend upwards of 30 minutes every day in this space. Is it a happy place to be for this amount of time? Small adjustments to lighting and heating can make a world of difference. Seek out places with natural light and ensure it is a cheerful and welcoming space that will encourage your child to visit the piano often for their own enjoyment.
3. Ensure your children have all required materials at hand. Help your children put together a small basket or bin of everything they may need for home practice. Pens, pencils, highlighters, and post-it notes will give your children a sense of organization that will then spill over into their practice habits. Your children will also need adequate lighting to see their music, and a comfortable bench at the correct height to practice comfortably and correctly.
4. Make the “Practice Nest” a communal space. Children of any age appreciate company while they practice. Having a chair, couch, beanbag chair or pillows nearby where family members will be inclined to sit, listen and enjoy the music immediately sets the tone for happy time on the piano. Encourage siblings to stop by and listen quietly, and allow yourself even just 10 minutes to sit and listen with undivided attention each time your children practice. A setup that is conducive to including the family in home practice will encourage everyone involved to make piano practice an activity the entire family can be a part of.
5. Set the stage for organization. Ensure your children’s practice space is uncluttered and organized. Clear out old sheet music and books from the piano bench, use a magazine organizer to hold current and favorite materials, and minimize knickknacks and other distractions from the top of the piano. If you can, avoid having the piano room do “double-duty” for laundry, toys and other clutter. Having the books your children need at their fingertips reliably ensures that no time is spent searching for lost or crumpled music. Get into the habit of placing the piano books in their appropriate space immediately after each piano lesson so they are ready and waiting.
Plus one more! Adding small surprises to your children’s practice nest (fresh flowers, a hand-written note of encouragement, a small treat, a new sticker pad, a special pen etc.) helps to show that you value the time they are spending on the piano and that you appreciate their efforts and dedication. Preserving the “specialness” of their practice space encourages positive feelings towards their home music time.
• 1826 ~ Walter Cecil Macfarren, English pianist and composer, born in London
• 1850 ~ Wagner’s opera, Lohengrin, was performed for the first time.
• 1894 ~ Karl Böhm, Austrian conductor
1913 ~ Richard Tucker, American tenor
More information about Tucker
• 1924 ~ Dinah Washington, American rhythm-and-blues singer. She popularized many, many great songs, including What a Diff’rence a Day Makes, Unforgettable, and several hits with Brook Benton.
• 1925 ~ Billy (William Wayne) Grammer, Singer
• 1925 ~ Donald O’Connor, American dancer, singer and actor.
• 1931 ~ You Rascal You was recorded by Henry Allen, with the Luis Russell Band, for the Victor label.
• 1939 ~ Clem Cattini, Drummer with Tornados
• 1948 ~ Daniel Seraphine, Drummer with Chicago
• 1951 ~ Wayne Osmond, Singer with The Osmond Brothers
• 1964 ~ The Beatles appeared on the cover of LIFE magazine, only 6 months after they were first on the Ed Sullivan Show.
• 1984 ~ The Jacksons’ Victory Tour broke the record for concert ticket sales. The group surpassed the 1.1 million mark in only two months.
• 2002 ~ Kay Gardner, whose last musical work with the Bangor Symphony Orchestra memorialized the Sept. 11 terrorist attacks, died of a heart attack. She was in her early 60s.
On hearing of her death, symphony officials scheduled Gardner’s work, “Lament for Thousand,” for the orchestra’s season-opening concert Oct. 13 at the Maine Center for the Arts in Orono.
Gardner was a pianist, flutist and conductor who performed in 46 states and several countries.
More than 20 years ago, she sued the Bangor Symphony, unsuccessfully, for sex discrimination after she had applied for a conducting position and learned that orchestra members had been asked how they felt about working with a female conductor.
In 2000, she was the guest conductor for a 40-member orchestra of women from the Bangor Symphony, playing a repertoire written by women.
Gardner studied music at the University of Michigan and at the State University of New York at Stony Brook. In 1972, she helped found a feminist and openly lesbian women’s band, Lavender Jane.
Picture a seven-foot grand piano in a studio. The lid’s missing, so you can see all the strings. Researchers suspend a rod embedded with 32 microphones over the piano’s body.
“We played this middle C at a very soft level, a medium level, and a very loud level,” says Agnieszka Roginska, a professor in NYU’s music technology program. She says using a pianist to play middle C over and over wouldn’t be scientific. So they’re using a disklavier, a fancy player piano triggered by electronics. “So we could hit the same note, with the same velocity, thousands of times,” she says.
They’d record the piano in one spot. Then move the microphones eight inches. Record the note. Move the mics again. Record the note. Over and over and over, until they reach the back of the piano. At the end, they get “what is basically a very dense acoustical scan of the radiation pattern of the grand piano,” Roginska says.
• 1521 ~ Josquin Desprez, French/Franco-Flemish composer, died. Generally acknowledged as the greatest composer of the High Renaissance.
More information about Desprez
1886 ~ Eric Coates, British composer and violist
More information about Coates
• 1889 ~ Charles G. Conn of Elkhart, IN patented the metal clarinet. More than 100 years later the name, Conn, still represents one of the most popular musical instrument names, especially for clarinets.
• 1909 ~ Lester Willis “Prez” Young, American jazz tenor and saxophonist
• 1927 ~ Jimmy ‘Cajun’ Newman, Singer
• 1937 ~ Tommy (Adrian) Sands, Singer
• 1939 ~ Singer Allan Jones recorded I’m Falling in Love with Someone on Victor Records.
• 1942 ~ Daryl Dragon, Grammy Award-winning musician, songwriter, duo in The Captain and Tennille
• 1944 ~ Barry Conyngham, Australian composer
• 1944 ~ Tim Bogert, Bass with these groups: Showmen, Cactus, Vanilla Fudge
• 1949 ~ Jeff Cook, Singer, guitar with Alabama
• 1953 ~ Alex Lifeson, Guitarist with Rush
• 1970 ~ The Troubadour in Los Angeles, CA was the venue of singer Elton John’s first concert appearance in America and a record company executive for UNI records (a division of MCA) signed Elton to a recording contract.
• 1984 ~ The Menetta Lane Theatre in Greenwich Village opened. It was the first new off-Broadway theatre to be built in 50 years in New York City. The ribbon cutting was done by “America’s First Lady of the Stage”, Helen Hayes.
• 1990 ~ Stevie Ray Vaughan, killed in helicopter crash
Life very often throws some curious coincidences my way. Just as I was preparing a presentation for architecture students at the Goa College of Architecture on ‘Architecture and Music’ and looking at the relationship of the Fibonacci sequence to music, what should appear in my newsfeed but the announcement of the famed piano firm Steinway and Sons unveiling its 600,000th piano, incorporating the iconic Fibonacci spiral in its design.
The veneer of the “Fibonacci” piano features the eponymous spiral made from six individual logs of Macassar Ebony, “creating a fluid design that represents the geometric harmony found in nature.”
In the words of designer Frank Pollaro, who spent over 6000 work-hours over four years in its creation: “Designing Steinway & Sons’ 600,000th piano was an honour and a challenge. To me, knowing that this piano would become part of history meant that it had to be more than just a beautiful design, but also needed to visually convey a deeper message…as I considered the number 600,000, the Fibonacci spiral came to mind. The way in which it continues to grow but stay true to its form is very much like Steinway and Sons over these many years. Combining the universal languages of music and mathematics suddenly made perfect sense.”
Mind you, 600,000 is not a number in the Fibonacci sequence; I checked. 600,000 is between the 29th and 30th numbers in the Fibonacci series, which are 514,229 and 832,040 respectively. But Pollaro was nevertheless highlighting an interesting relationship between music and mathematics.
Named after the Italian mathematician Leonardo Fibonacci (c. 1170- c. 1250) who brought the Indian-Arabic numeral system to Europe, the Fibonacci series appear in nature and in music, and finds application in architecture and in instrument design, much before the Fibonacci Steinway.
The basic ideas of the Fibonacci progression are contained in the writings of Indian scholar Pingala (300-200 BC) in his treatise on Sanskrit prosody.
The Fibonacci numbers have the following integer sequence: 0, 1, 1, 2, 3, 5, 8, 13, 21, 34, 55, 89, 144, 233, 377, 610, 987 and onward. Each added number is the sum of two previous numbers before it.
In nature, the Fibonacci sequence underpins phyllotaxis (arrangement of leaves on a stem), branching in trees, fruit sprouts of a pineapple among many other examples, and even the shape of the human external ear, and the cochlear apparatus of the inner ear.
It can be applied to the western musical scale as well, with the caveat that the starting note one makes the measurement from (or the ‘root’ note) is designated as 1 and not 0. By this token, there are 13 notes in a scale through its octave. There are 8 notes in a diatonic scale (hence the top note is called an ‘oct’ave). The 5th and 3rd notes create the basic foundation of musical chords. All these are Fibonacci numbers.
The very notes in the scale are based on natural harmonics created by ratios of frequencies. Ratios found in the first seven numbers of the Fibonacci series (0, 1, 1, 2, 3, 5, 8) are related to key frequencies of musical notes. Thus if we take an arbitrary frequency of 440 Hz, the root note has a ratio of 1/1, but the octave above it has a frequency of 880 Hz (2/1 of 440); a fifth above has a frequency of 660 Hz (3/2 of 440), and so on for other notes in the scale.
In last Sunday’s article, I had mentioned the ‘golden proportion’ or phi, which underpins the proportions of the Parthenon temple in the Acropolis in Athens, Greece. This ‘golden ratio’ (also called the ‘golden section’, ‘golden mean’ or the ‘divine proportion’) of 1:1618 or 0.618 has influenced composition in painting and photography, prompting the notion of dividing a canvas into thirds vertically and horizontally, and to position a subject of interest ‘about one-third’ of the way across instead of in the centre.
This ‘golden ratio’ can be obtained by dividing a Fibonacci number (in the higher reaches, not the first few) by its immediate predecessor. The quotient approximates phi (φ). Thus 987/610= 1.61803, and its inverse is 0.618.
The climax or high point of many songs and other compositions is often found at the ‘phi’ (φ) point (61.8 per cent) of the work. We have seen this to be true in the first movement of
S. Bach’s G minor sonata for solo violin.
In many compositions in sonata form, the addition of a coda causes the recapitulation (the return of the original idea that started the work) to begin at the 61.8 per cent point.
The legendary violin maker Antonio Stradivari seemed to be aware of the ‘golden section’ and used it in the placement of the f-holes on his violins. The proportions of the violin conform to the ratios of ‘phi’ (φ). The spiral of a violin scroll also obeys the Fibonacci progression.
Isn’t it amazing, how the visual and aural world, indeed nature itself can all be unified by the same mathematical sequence?[NT]
1918 ~ Alan Jay Lerner, American lyricist for the musical theater
