I could have turned the Alfred Burt Carols into the next 15 parts of this series but I decided that was a bit too easy on me!
I love this story – it’s a wonderful family tradition from the Burt family.
Starting in 1922, Alfred Burt’s father created a Christmas card for family members and parishioners. On these cards were original Christmas carols, with both the words and music by the Reverend Bates Burt. For the family Christmas card in 1942, Bates asked his son to write the music for that year’s carol, “Christmas Cometh Caroling.”
From then on, Alfred would write the music for the family’s Christmas cards, and the “Alfred Burt carols” were born.
“This Is Christmas” (also known as “Bright, Bright, the Holly Berries”) (1950)
“Some Children See Him” (1951)
“Come, Dear Children” (1952)
“O, Hearken Ye” (1953)
“Caroling Caroling” (1954)
“We’ll Dress the House” (1954)
“The Star Carol” (1954)
Burt finished the last of his carols, “The Star Carol”, on February 5, 1954. He died less than 24 hours later, at the age of 33.
One of the best known of these today is Caroling Caroling (lyrics by the church organist at his father’s church, Wihla Hutson)
The Salt Lake Vocal Artists perform 2 carols; “Caroling, Caroling” and “We’ll Dress the House” by Alfred Burt live in concert on December 17, 2011 in Holy Family Catholic Church, South Ogden, Utah under the direction of Dr. Brady Allred.
• 1843 ~ Charles Dickens published his play “A Christmas Carol”
• 1874 ~ Josef Lhévinne, Russian pianist, teacher. After gaining fame as a soloists in Russia and Europe, he and Rosa came to the U.S.A. in 1919. While they continued to concertize, they both taught at Juilliard; although he had the more prominent concert career, she lived on to become legendary for teaching an endless succession of prominent pianists including Van Cliburn.
• 1925 ~ Dick Van Dyke, American Emmy Award-winning actor and comedian
• 1928 ~ Audiences at Carnegie Hall heard the first performance of George Gershwin’s composition, An American in Paris. The debut was performed by the New York Philharmonic Orchestra under the direction of Walter Damrosch. Advertised as “a tone poem with jazz and sound effects”, it was used as a ballet for Gene Kelly’s 1951 performance in the movie of the same name. Unfortunately, George Gershwin did not live to see his composition being danced to in the Academy Award-winning An American in Paris. It won six Oscars: Best Art Direction/Set Direction [Color], Best Color Cinematography, Best Costume Design [Color], Best Story and Screenplay, Best Picture … and Best Score.
• 1929 ~ Christopher Plummer (Orme), Actor, Sound of Music, Doll’s House
• 1940 ~ The two-sided jump tune, The Anvil Chorus, was recorded by Glenn Miller and his orchestra for Bluebird Records in New York. The 10-inch, 78 rpm record ran six minutes (including flipping).
• 1941 ~ John Davidson, Actor, singer, TV game show host of the Hollywood Squares
• 1948 ~ Jeff ‘Skunk’ Baxter, Guitarist with Steely Dan, The Doobie Brothers
• 1948 ~ Ted Nugent, Guitarist, singer with Amboy Dukes
• 1948 ~ The American Federation of Musicians went back to work after an 11½-month strike. During the strike, there was an 11½-month ban on phonograph records as well.
• 1949 ~ Randy Owen, Guitarist, singer with Alabama
• 1949 ~ Tom Verlaine (Miller), Guitarist, singer with Television
• 1974 ~ Former George Harrison was greeted at the White House. President Gerald R. Ford invited Harrison to lunch. The two exchanged buttons, Ford giving George a WIN (Whip Inflation Now) pin and Harrison gave the President an OM (Hindu mantra word expressing creation) button.
• 2000 ~ Cellist Yo-Yo Ma made a special guest appearance on NBC television’s West Wing. No, he did’t play a partisan leader, but he was featured in some of the music of Bach.
• 2002 ~ Maria Bjornson, a set and costume designer whose work on the hit musical The Phantom of the Opera won critical acclaim, was found dead at her London home. She was 53. Bjornson was born in Paris in 1949 and grew up in London, the daughter of a Romanian woman and a Norwegian father. She went to the French Lycee in London and then studied at the Byam Shaw School of Art and the Central School of Art and Design. Bjornson worked as a theater designer from 1969, and designed 13 productions at the Glasgow Citizens’ Theater. She worked for the Welsh National Opera and its English and Scottish counterparts, and was involved with the Royal Shakespeare Company and the Royal Ballet. Her colorful and grand design for Andrew Lloyd Webber’s musical Phantom of the Opera at Her Majesty’s Theater in London in 1986 won her international acclaim. In 1988, Bjornson’s work on Phantom won two Tony Awards, one for sets and the other for costumes. After Phantom she collaborated with Lloyd Webber again on Aspects of Love, and worked on the Royal Ballet’s production ofSleeping Beauty at Covent Garden in London in 1994 and on Cosi Fan Tutte at Glyndebourne in 1991.
• 2002 ~ Former Lovin’ Spoonful guitarist Zal Yanovsky, who traded in the wild rock star life for a quiet existence as a restaurant owner in Canada, died. The Toronto native died of a heart attack at his home in Kingston, Ontario, six days before his 58th birthday. Famed for such hits as Do You Believe in Magic and Summer in the City, the Lovin’ Spoonful enjoyed a brief reign in the mid 1960s as America’s answer to the Beatles. The quartet, led by singer/guitarist John Sebastian, racked up seven consecutive top 10 singles in 16 months. Yanovsky, a tall Russian Jew who resembled Ringo Starr, joined forces with Sebastian in New York City in 1964. The pair shared a love of folk music, and both had played in the Mugwumps, a short-lived combo that also included future Mamas and Papas members “Mama” Cass Elliot and Denny Doherty. The Lovin’ Spoonful, named after a Mississippi John Hurt song, took shape in 1965 when Yanovsky and Sebastian teamed up with drummer Joe Butler and bass player Steve Boone. The group’s first single, Do You Believe In Magic reached the top 10 that year. Its followup, You Don’t Have To Be So Nice also went top 10 in early 1966. Summer in the City was their sole No. 1. Besides recording five albums, the band also did the soundtracks to Woody Allen’sWhat’s Up, Tiger Lily? and Francis Ford Coppola You’re A Big Boy Now. Yanovsky was the zany member of the group. He was the focal point during live performances, but his biting humor often rubbed his colleagues the wrong way, especially when one of his girlfriends ended up with Sebastian. In 1966, the group’s banner year, Yanovsky was faced with deportation after he and Boone were arrested for marijuana possession in San Francisco. They turned in their dealer, which damaged the band’s hipster credentials. Amid rising tensions, Yanovsky was voted out of the band in 1967, but remained on amicable terms with his colleagues. He recorded a solo album, Alive and Well in Argentina, in 1968. Sebastian, the band’s creative force, left that year, and the band soon broke up. The original members reunited in 1980 to appear in the Paul Simon film One-Trick Pony and then in 2000 when it was inducted into the Rock and Roll Hall of Fame. Yanovsky dabbled in TV before going into the restaurant business. He ran Chez Piggy, an acclaimed eatery in Kingston.
• 2003 ~ Jazz trumpeter Webster Young, who played with greats such as MilesDavis and John Coltrane in the 1950s, died of a brain tumor. He was 71. Young’s career got an early boost when Louis Armstrong took him as a student when he was 10 years old. As a teenager, Young jammed with DizzyGillespie, earning the nickname “Little Diz” in Washington D.C.-area clubs for a style that resembled Gillespie’s. Young broke into the modern jazz scene in New York City in the late 1950s, recording several albums. He returned to Washington D.C. in the 1970s to raise his family. He toured in Europe in the 1980s and performed regularly at jazz clubs until eight months before his death. Young’s career peaked in 1957, when he played coronet with John Coltrane for the album “Interplay for Two Trumpets and Two Tenors” for the Prestige record label.