Halloween Music: Dreams of a Witches’ Sabbath from Symphonie fantastique by Hector Berlioz

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The final movement is the best known part of the symphony, thanks to its use in the Julia Roberts movie, Sleeping With The Enemy. It features a four-part structure, which Berlioz described in his own program notes from 1845 as follows:

“He sees himself at a witches’ Sabbath, in the midst of a hideous gathering of shades, sorcerers and monsters of every kind who have come together for his funeral. Strange sounds, groans, outbursts of laughter; distant shouts which seem to be answered by more shouts. The beloved melody appears once more, but has now lost its noble and shy character; it is now no more than a vulgar dance tune, trivial and grotesque: it is she who is coming to the Sabbath… Roar of delight at her arrival… She joins the diabolical orgy… The funeral knell tolls, burlesque parody of the Dies irae, the dance of the witches. The dance of the witches combined with the Dies irae.”

The Dies irae melody is one of the most-quoted in musical literature, appearing in the works of many diverse composers.

The traditional Gregorian melody has also been used as a theme or musical quotation in a number of  classical compositions, notable among them:

Free sheet music from IMSLP for the basic Dies irae

Free sheet music from IMSLP for the basic Symphonie fantastique (look under Arrangements and Transcriptions)

The basic Gregorian Chant

An animated version of the  Dreams of a Witches’ Sabbath from Symphonie fantastique.  Can you hear the Dies irae in this?  It starts around 3:18.

Leonard Bernstein conducts the “Orchestre National de France” in Berlioz’s Symphonie Fantastique
5th Movement

October 26 ~ Today in Music

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OCMS 1685 ~ Domenico Scarlatti, Italian composer and harpsichordist
More information about Scarlatti

• 1911 ~ Mahalia Jackson, American soul and gospel singer

• 1913 ~ Charlie Barnet, Saxophonist, bandleader, his autobiography is Those Swinging Years

• 1934 ~ Cole Porter recorded his own composition titled, You’re the Top, from the show “Anything Goes”, on Victor.

• 1935 ~ A talented twelve-year-old sang on Wallace Beery’s NBC radio show on NBC.  Judy Garland delighted the appreciative audience. The young girl would soon be in pictures and at the top of stardom. It would be only four years before Ms. Garland (George Jessel gave her the name, thinking it would be better than her own, Frances Gumm) captured the hearts of moviegoers everywhere with her performance as Dorothy in “The Wizard of Oz”.

• 1944 ~ Michael Piano, Singer with The Sandpipers

• 1946 ~ Keith Hopwood, Singer, guitarist with Herman’s Hermits

• 1952 ~ NBC~TV premiered Victory at Sea. The show was the first documentary film series to gain wide acceptance. Richard Rodgers wrote the score and Robert Russell Bennett orchestrated it. No Other Love, adapted from one of the songs in the score, became a hit for Perry Como in the summer of 1953.

• 1953 ~ Keith Strickland, Drummer with The B-52s

• 1962 ~ The Rolling Stones consisting of Keith Richard, Mick Jagger, Brian Jones, pianist Ian Stewart and drummer Tony Chapman recorded their first demo tape at Curly Clayton Studios in Highbury, London. They recorded three songs, Jimmy Reed’s ‘Close Together’, Bo Diddley’s ‘You Cant Judge A Book By The Cover’ and Muddy Waters’ ‘Soon Forgotten.’

• 1965 ~ The Beatles received MBE medals from the Queen of England, as they became Members of the British Empire. Ceremonies were held at Buckingham Palace.John Lennon returned his medal four years later in protest of Britain’s involvement in the Nigerian Civil War.

• 1971 ~ Memphis minister Al Green received a gold record for his single, Tired of Being Alone.

• 1984 ~ Barbra Streisand won multiplatinum certification for three albums that reached the four-million-dollar sales mark. “Greatest Hits, Vol. II”, “Guilty”, and “A Star is Born” (with Kris Kristofferson) were honored.

• 2001 ~ Laszlo Halasz, the first music director of the New York City Opera, died at the age of 96. Halasz became the opera’s first director in 1943. During his eight-year tenure, the New York City Opera became an important training ground for young singers. The company also became an important venue for new works. Born in Hungary, Halasz studied at the Liszt Academy in Budapest, where his teachers included Béla Bartók, Ernst von Dohnanyi, Leo Weiner and Zoltán Kodály. He made his professional debut as a pianist in 1928, but in 1931 decided to focus on conducting. He came to New York in 1936, and when the New York City Opera was formed in the fall of 1943, Halasz was appointed its music director. The company’s first season included productions of Puccini’s “Tosca,” Flotow’s “Martha” and Bizet’s “Carmen”  Halasz conducted the company’s first American premiere, Strauss’ “Ariadne auf Naxos,” in 1946, and the opera’s first world premiere, of  William Grant Still’s “Troubled Island,” with a libretto by Langston Hughes. But the opera’s board was uneasy with Halasz’s ventures into modern opera. When the board insisted in 1951 that Halasz submit his repertory plans for approval, he resigned. The board ultimately relented, but when Halasz became involved in union disputes later that year, the board fired him. After leaving City Opera, Halasz began a second career as a record producer. He also conducted opera at houses in Frankfurt, Barcelona, Budapest, London and South America. As a teacher, he was on the conducting faculty at the Peabody Conservatory, in Baltimore, and the Eastman School of Music, in Rochester, N.Y.

• 2001 ~ Herbert Weissenstein, a consultant who specialized in classical music, died at the age of 56. Weissenstein began his career in 1970 as public relations director for the Baltimore Symphony Orchestra. He moved on to the New York Philharmonic and in 1979 became director of development and strategic planning at Carnegie Hall. In 1984, he founded H.F. Weissenstein & Co., which specialized in consulting, directing seminars, and publishing articles in the fields of management and development. His clients included the Electronic Media Forum, the Folksbiene Yiddish Theater, the Manhattan Theater Club, the International Organization for the Transition of Professional dancers and the Brooklyn Botanic Garden.