Tag Archives: pianist

Today in Music History ~ November 15

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• 1905 ~ Mantovani, Orchestra leader, (1953 UK No.1 single ‘Moulin Rouge’, 1957 US No. 12 single ‘Around The World In Eighty Days’) was born. He died on 30th March 1980.

• 1914 ~ Jorge Bolet, Cuban-born American pianist was born

• 1926 ~ NBC broadcast its first music program. It featured the New York Symphony Orchestra and many distinguished soloists. 24 stations carried the first broadcast. The program was a gala 4½-hour broadcast from the Waldorf-Astoria Hotel in New York City. Two remote pickups were also on the program. Opera star Mary Garden sang from Chicago and Will Rogers presented a humorous monologue from Independence, Kansas. Charles Lindbergh was among the luminaries who attended the broadcast.

• 1928 ~ C.W. McCall (William Fries), Singer, songwriter was born

• 1932 ~ Petula Clark, British pop singer (Downtown, My Love) was born

• 1933 ~ Clyde (Lensley) McPhatter, Singer with the Dominoes was born

• 1937 ~ Little Willie John (William Edward John), Singer, convicted of manslaughter

• 1942 ~ Daniel Barenboim, Argentine-born Israeli pianist and conductor of English Chamber Orchestra was born

• 1945 ~ Anni-Frid Lyngstad, Singer with Abba was born

• 1946 ~ Janet Lennon, Singer with The Lennon Sisters was born

• 1954 ~ Tony Thompson, Drummer with Chic; played with Led Zeppelin, Live Aid, drummer with Patti LaBelle was born
More about Thompson

• 1954 ~ Studio One on CBS-TV featured Joan Weber singing Let Me Go, Lover. The song had enjoyed limited popularity before the TV show, but skyrocketed to fame immediately after.

• 1956 ~ Love Me Tender, the first Elvis Presley film, premiered.

• 1967 ~ Mari Fernandez, Singer with Sweet Sensation was born

• 1969 ~ The first album featuring Karen and Richard Carpenter was released by A&M Records. Offering would not be a big seller, but a single from the disc, a remake of The Beatles’ Ticket to Ride, would gain national attention. Their next album, however, would establish them as major international stars (Close to You).

• 1974 ~ The most expensive 2-record album was released-on Casablanca Records. It was a comedy disc titled, Here’s Johnny – Magic Moments from the Tonight Show.

• 1974 ~ The group, Faces, released their tune with the longest title. You Can Make Me Dance, Sing or Anything (Even Take the Dog for a Walk, Mend a Fuse, Fold Away the Ironing Board, Or Any Other Domestic Shortcomings).

• 1980 ~ After years of success on the music charts with the New Christy Minstrels and the First Edition, Kenny Rogers got his first #1 song. Lady, written by Lionel Richie, stayed at the top for six weeks.

• 1986 ~ The first major operetta written by Gian Carlo Menotti in over 20 years was presented at the Kennedy Center in Washington, DC. Starring tenor Placido Domingo, Goya was said by critics to be only “intermittently good.”

• 2003 ~ David Holt, a former child actor once touted by Paramount Pictures as its answer to Shirley Temple, has died. He was 76. Holt, who later became a successful jazz musician and songwriter, died of congestive heart failure. Although his career never rivaled Temple’s, Holt had his share of success as a child actor, playing Elizabeth Taylor’solder brother in “Courage of Lassie” in 1946 and appearing as bratty Sidney Sawyer in “The Adventures of Tom Sawyer” in 1938. He also played the crippled boy for whom New York Yankee great Lou Gehrig hit a home run in “Pride of the Yankees” and appeared in “The Big Broadcast of 1936.” Paramount signed Holt to a long-term contract after his 1934 role as a boy whose mother dies in “You Belong To me.” Holt eventually segued into music. He co-wrote the song The Christmas Blues with Sammy Cahn and wrote the music for numerous jazz albums. He hosted the TV show “American Music Shop” in the 1990s.

Adapted from http://www.oconnormusic.org/month-nov.htm

In D.C., a 13-year-old piano prodigy is treated as a truant instead of a star student – The Washington Post

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From Today’s Washington Post:

Avery Gagliano is a commanding young pianist who attacks Chopin with the focused diligence of a master craftsman and the grace of a ballet dancer.

The prodigy, who just turned 13, was one of 12 musicians selected from across the globe to play at a prestigious event in Munich last year and has won competitions and headlined with orchestras nationwide.

But to the D.C. public school system, the eighth-grader from Mount Pleasant is also a truant. Yes, you read that right. Avery’s amazing talent and straight-A grades at Alice Deal Middle School earned her no slack from school officials, despite her parents’ begging and pleading for an exception.

http://youtu.be/VC28vsf9cuY

Read more at In D.C., a 13-year-old piano prodigy is treated as a truant instead of a star student – The Washington Post.

Science Tries to Understand What Gives a Piano its Voice

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Picture a seven-foot grand piano in a studio. The lid’s missing, so you can see all the strings. Researchers suspend a rod embedded with 32 microphones over the piano’s body.

“We played this middle C at a very soft level, a medium level, and a very loud level,” says Agnieszka Roginska, a professor in NYU’s music technology program. She says using a pianist to play middle C over and over wouldn’t be scientific. So they’re using a disklavier, a fancy player piano triggered by electronics. “So we could hit the same note, with the same velocity, thousands of times,” she says.

They’d record the piano in one spot. Then move the microphones eight inches. Record the note. Move the mics again. Record the note. Over and over and over, until they reach the back of the piano. At the end, they get “what is basically a very dense acoustical scan of the radiation pattern of the grand piano,” Roginska says.

Read the entire article here: http://www.pri.org/stories/2014-08-10/science-tries-understand-what-gives-piano-its-voice

Franz Liszt’s “Hungarian Rhapsody no. 2 in c-sharp minor”

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Hungarian Rhapsody No. 2, S.244/2, is the second in a set of 19 Hungarian Rhapsodies by composer Franz Liszt, and is by far the most famous of the set. Few other piano solos have achieved such widespread popularity, offering the pianist the opportunity to reveal exceptional skill as a virtuoso, while providing the listener with an immediate and irresistible musical appeal.

In both the original piano solo form and in the orchestrated version this composition has enjoyed widespread use in animated cartoons. Its themes have also served as the basis of several popular songs.

It is probable that you have heard this piece of music somewhere at one time or another because it is perhaps the most prominent piece of classical (romantic, actually) music featured in animated cartoons across the years.

Now, let the anvils fall and dynamite explode!

 

And, in real life, Valentina Lisitsa plays Liszt’s Hungarian Rhapsody No. 2

Van Cliburn, American classical pianist, dies

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cdcovers/tchaikovsky/concerto no 1 van cliburn.jpg

cdcovers/tchaikovsky/concerto no 1 van cliburn.jpg (Photo credit: exquisitur)

Van Cliburn was just a pianist much the way Neil Armstrong was merely an astronaut. Simply put, the tall Texan’s musical talent and successes were out of this world.

Cliburn, who died Wednesday February 27, 2013 at age 78 at his Fort Worth home due to complications from bone cancer, was 23 when he strode into Moscow for the inaugural International Tchaikovsky Competition, created to showcase Soviet cultural superiority.

Playing with unerring precision and sublime emotion, he took the top prize and was given a ticker-tape parade in Manhattan, the first and last time a pianist won such an honor.

“Imagine galvanizing the attention of the entire world in the pre-Internet, pre-global TV year of 1958,” says Howard Reich, who got to know the Texas-based pianist while researching his 1993 biography, Van Cliburn. “As a Texan, he was so emblematic of the United States. But the Russians fell in love with his romanticism.”

In many ways, however, that seminal performance both made his name and sealed his fate.

The pieces that won him the competition — Tchaikovsky’s Piano Concerto No. 1 and Rachmaninoff’s Piano Concerto No. 3 — sold countless records (his Tchaikovsky No. 1 was the first classical record to sell more than a million copies) and became required concert staples.

“Playing on that treadmill for the next 20 years led him to burn out, and by 1978 he looked terrible and bowed out of public life,” says Reich. “He was a gentle soul, and that harsh public spotlight had a negative effect on him.”

It would be nine years before Cliburn performed again, at the White House for Ronald Reagan and Soviet premier Mikhail Gorbachev. Although he made occasional appearances in the following decades, he spent most of his time overseeing his foundation and a quadrennial competition that bears his name.

“I can’t think of anyone who has done more to help promote the instrument and young performers than Van,” says Cliburn’s friend Yoheved Kaplinsky, chairman of the piano department at New York’s Juilliard School of Music, which Cliburn attended. “He was an icon in Fort Worth, and a person of great humility.”

Born Harvey Lavan Cliburn Jr. in Shreveport, La., Cliburn started piano lessons at age 3 and immediately showed prowess under the watchful eye of his mother, who had trained on the instrument under a teacher who had studied with Franz Liszt.

After moving to Texas, Cliburn played with Houston’s symphony at age 12, and at 17 entered Juilliard. At 20, he performed with the New York Philharmonic at Carnegie Hall, setting the stage for his triumphant coup in Russia.

No one can imagine a ticker-tape parade for a pianist in this era, but in Cliburn’s heyday he was as much an inevitable cultural icon as he was a reluctant political figure. In the late ’50s, the Cold War was raging, the Beatles were still practicing and classical music still held sway.

But what truly made Cliburn unique was the humble ease with which he went about seducing the alleged enemy.

“Van marched in full of the musical values of the Old World, full of tremendous sincerity and with a remarkable ability to connect with audiences,” says Kaplinsky. “He may have transcended the boundaries of the art world and breached into the political world, but foremost Van was a consummate artist.”

That artistry is on display in various YouTube clips of Cliburn reprising his competition-winning form in Moscow in 1962. The pianist’s eyes are often closed as massive hands fly across the length of the keyboard. Utterly lost in the music, Cliburn seems almost oblivious to his audience.

“He had more of everything,” says Reich. “More height, more smiles, more sweep on the piano.”

In his later years, Cliburn collected the usual array of awards accorded cultural heroes. A Kennedy Center Honors tribute in 2001, a Presidential Medal of Freedom in 2003, and in 2004 Russia’s equivalent, the Russian Order of Friendship. In 2004, there was a predictable Grammy Lifetime Achievement Award, and in 1994 a less-expected guest appearance as himself in the TV cartoon Iron Man.

On the personal front, Cliburn was a devout Baptist but also quietly gay; in the late ’90s, his longtime partner, Thomas Zaremba, unsuccessfully sued the pianist over compensation claims.

Ultimately, Cliburn will be remembered not just as a performer of startling skill, but also as a global cultural sensation in the age of shortwave radio.

“He did something that no one could have ever imagined back then,” says Reich. “He was ubiquitous.”

Adapted from USA Today

 

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