January 30 in Music History

today

. 1566 ~ Alessandro Piccinini born. He was an Italian lutenist and composer who died sometime in 1638

. 1697 ~ Johann Joachim Quantz, German flutist, flute maker and composer

. 1861 ~ Charles Martin Tornow Loeffler, Alsatian-born American composer

. 1862 ~ Walter Johannes Damrosch, German conductor and composer

. 1911 ~ (David) Roy ‘Little Jazz’ Eldridge, Trumpeter and soloist with Gene Krupa’s Band, U.S. President Carter’s White House jazz party in 1978

. 1917 ~ The Original Dixieland Jazz Band recorded a classic for Columbia Records titled, The Darktown Strutters’ Ball. It was one of the first jazz compositions recorded.

. 1921 ~ Astor Piazzolla, Argentinian composer
More information about Piazzolla

. 1921 ~ Bernie Leighton, Jazz pianist

. 1928 ~ Ruth Brown, R&B and jazz singer

. 1928 ~ Harold Prince, Broadway producer and director of A Little Night Music and Sweeney Todd: The Demon Barber of Fleet Street

. 1936 ~ Horst Jankowski, Pianist, most famous work was A Walk In The Black Forest

. 1938 ~ Norma Jean (Beasler), Country singer

. 1941 ~ Joe Terranova, Singer with Danny and the Juniors

. 1943 ~ Marty Balin (Buchwald), Singer with Jefferson Airplane/Starship

. 1944 ~ Lynn Harrell, American cellist

. 1947 ~ Steve Marriott, Singer, songwriter, guitarist

. 1949 ~ William King, Trumpeter, keyboard with The Commodores

. 1951 ~ Phil Collins, Singer, drummer with Genesis

. 1959 ~ Jody Watley, Singer with Shalamar

. 1963 ~ Francis Poulenc died
More information about Poulenc

. 1969 ~ The Beatles made their last public appearance. It was at a free concert at their Apple corporate headquarters in London. The group recorded Get Back and also filmed the movie “Let It Be”.

. 2004 ~ Jazz bassist Malachi Favors, who played with such bandleaders as Dizzy Gillespie and Freddy Hubbard before beginning a 35-year association with the Art Ensemble of Chicago, died. After service in the Army during the Korean War, he studied with the bassists Wilbur Ware and Israel Crosby, and worked with the pianists Andrew Hill and King Fleming. After playing with Gillespie, Hubbard, and other members of the bebop revolution, Favors joined the band of Chicago saxophonist Roscoe Mitchell and played a major part on Mitchell’s influential free-jazz album, “Sound”, in 1966. Mitchell’s band soon evolved into the Art Ensemble of Chicago, which combined traditional elements of jazz and blues, West African music, chanting, ritual, abstract sound and silence. Although founded in Chicago, the group was based in Europe until 1971. In addition to his distinctive bass sound, Favors also added vocals and such folk instruments as banjo, zither and harmonica to group’s compositions. He also recorded a solo bass album, “Natural and the Spiritual”.