There’s more to a song than meets the ear, as Neil deGrasse Tyson finds out when he interviews singer/songwriter/producer Josh Groban. Josh shares how he got started playing his family’s electronic Casio piano while he was still in diapers, and whether he was a science geek in school.
In studio, concert pianist and MIT Lecturer in Music, Elaine Kwon, and co-host Chuck Nice add their voices to the chorus to help us hear the science woven into the songs. You’ll learn how artists breathe life into their music, and about the qualitative difference between human generated and automated music.
Explore the importance of the acoustics of a performance space, the effect music has on people, the difference between melody and harmony, the ranges the human voice is capable of, and which was more important, Charlie Parker’s personal style or his sax.
Plus, Neil and Josh discuss “acoustic panty removers”, Chuck admits to singing first soprano in his church choir, and we find out whether Rachmaninoff really had “big hands” and what rubato means.
• 1750 ~ Johann Valentin Rathgeber, German Composer, died at the age of 68
• 1806 ~ Isaac Strauss, Composer
• 1807 ~ Robert Fuhrer, Composer
• 1830 ~ Olivier Metra, Composer
• 1831 ~ Jan G Palm Curaçao, Bandmaster/choir master/composer
• 1857 ~ Sir Edward Elgar, British composer Elgar’s Pomp and Circumstance, usually heard at graduations, was featured in Disney’s Fantasia 2000.
Read quotes by and about Elgar
More information about Elgar
• 1858 ~ Harry Rowe Shelley, Composer
• 1863 ~ Paul Felix Weingartner, German conductor
• 1873 ~ François Hainl, Composer, died at the age of 65
• 1927 ~ Carl Butler, Country entertainer, songwriter
• 1927 ~ Freidrich Hegar, Composer, died at the age of 85
• 1929 ~ Alcides Lanza, Composer
• 1929 ~ Frederic Devreese, Composer
• 1932 ~ Sammy Turner (Samuel Black), Singer
• 1934 ~ Johnny Carter, American singer
• 1937 ~ Louis Vierne, Composer, died at the age of 66
• 1939 ~ Charles Miller, Saxophonist and clarinetist
• 1941 ~ William Guest, Singer with Gladys Knight & The Pips
• 1941 ~ Charlie Watts, Drummer with Rolling Stones
• 1944 ~ Marvin Hamlisch, American pianist, composer and arranger of popular music
More information about Hamlisch
• 1947 ~ Hermann Darewsky, Composer, died at the age of 64
• 1949 ~ Dynam-Victor Fumet, Composer, died at the age of 82
• 1949 ~ Ernest Ford, Composer, died at the age of 91
• 1960 ~ For the first time in 41 years, the entire Broadway theatre district in New York City was forced to close. The Actors Equity Union and theatre owners came to a showdown with a total blackout of theatres.
• 1964 ~ The original cast album of “Hello Dolly!” went gold — having sold a million copies. It was quite a feat for a Broadway musical.
• 1964 ~ “Follies Bergere” opened on Broadway for 191 performances
• 1972 ~ Franz Philipp, Composer, died at the age of 81
• 1977 ~ Henri D Gagnebin, Swiss organist and composer, died at the age of 91
• 1982 ~ “Blues in the Night” opened at Rialto Theater NYC for 53 performances
• 1983 ~ Stan Rogers, musician, died in aircraft fire
• 1985 ~ The Huck Finn-based musical “Big River” earned seven Tony Awards in New York City at the 39th annual awards presentation.
• 1986 ~ Daniel Sternefeld, Belgian conductor and composer died at the age of 80
• 1987 ~ Andres Segovia, Spanish classical guitarist, died at the age of 94. He established the guitar as a serious classical instrument through his numerous concerts and by his transcriptions of many pieces of Bach and Handel.
More information on Segovia
• 1987 ~ Sammy Kaye, Orchestra leader (Sammy Kaye Show), died at the age of 77
• 1994 ~ Prima Sellecchia Tesh, daughter of John Tesh and Connie Sellecca
• 1997 ~ Doc Cheatham, Jazz musician, died of stroke at the age of 91
• 2001 ~ Imogene Coca, the elfin actress and satiric comedienne who co-starred with Sid Caesar on television’s classic “Your Show of Shows” in the 1950s, died at the age of 92. Coca’s saucer eyes, fluttering lashes, big smile and boundless energy lit up the screen in television’s “Golden Age” and brought her an Emmy as best actress in 1951. Although she did some broad burlesque, her forte was subtle exaggeration. A talented singer and dancer, her spoofs of opera divas and prima ballerinas tiptoed a fine line between dignity and absurdity until she pushed them over the edge at the end. With Caesar she performed skits that satirized the everyday – marital spats, takeoffs on films and TV programs, strangers meeting and speaking in cliches. “The Hickenloopers” husband-and-wife skit became a staple.
