Christmas Music, Conclusion ~Auld Lang Syne

• 1894 ~ Ernest John Moeran, English composer who had strong associations with Ireland.

• 1904 ~ Nathan Milstein, Russian-born American violinist and composer

• 1908 ~ Jonah Jones (Robert Elliott Jones), Trumpeter, singer, played with Cab Calloway and threw spitball that got Dizzy Gillespie fired from a band

• 1922 ~ Rex Allen, ‘The Arizona Cowboy’, entertainer, rodeo star, singer, songwriter who published over 300 songs

• 1923 ~ Singer Eddie Cantor opened in the lead role of Kid Boots. Broadway critics called the production, “A smash musical hit!” Eddie made several of the songs from that show into smash hits also, like Alabamy Bound and If You Knew Susie. Three years later, If You Knew Susie became the title song for a movie starring Cantor.

• 1928 ~ Ross Barbour, Singer with The Four Freshmen

• 1929 ~ Guy Lombardo and his Royal Canadians played Auld Lang Syne as a New Year’s Eve song for the first time. Auld Lang Syne had been the band’s theme song long before 1929. However, this night was the start of a New Year’s Eve tradition as Lombardo’s famed orchestra played at the Hotel Roosevelt Grill in New York City to usher in the new year. Where did it Auld begin? Scottish poet Robert Burns said he heard an old man singing the words, and wrote them down; but Burns is considered the original author. The literal translation means “old long since”; less literal means “days gone by”. Auld Lang Syne and Happy New Year!

• 1930 ~ Odetta (Holmes Felious Gordon), American folk-blues singer, guitarist, songwriter and actress

• 1940 ~ As a result of a dispute between the radio networks and ASCAP (the American Society of Composers and Publishers), the radio industry was prevented from playing any ASCAP-licensed music. The ban lasted for ten months. An ASCAP competitor, BMI (Broadcast Music Incorporated) made giant strides, expanding to include 36,000 copyrights. Many radio stations had to resort to playing public domain songs, such as marches and operas, to keep their stations on the air. Even kids songs were played over and over again until the ban was lifted. One of the most popular songs to be played was Happy Birthday to You, which was performed in many different languages just to get past the ban. The original song is now, in fact, a copyrighted piece of music, though it wasn’t at the time.

• 1942 ~ Andy Summers (Somers), Guitarist, singer with The Police

• 1943 ~ John Denver (Deutschendorf), American singer and songwriter of popular music

• 1943 ~ Pete Quaife, Bass with The Kinks

• 1946 ~ Patti Smith, Songwriter, singer, playwright

• 1947 ~ Burton Cummings, Jr., Singer with The Guess Who

• 1947 ~ Roy Rogers, ‘the King of the Cowboys’, and Dale Evans were hitched in marriage. They rode off into that sunset together for over fifty years. (Roy died July 6, 1998.)

• 1948 ~ Donna Summer (LaDonna Gaines), Grammy Award-winning singer

• 1951 ~ Tom Hamilton, Bass with Aerosmith

• 1960 ~ After playing California nightclubs as The Pendletones, Kenny and the Cadets, and Carl and the Passions, a new group emerged this day: The Beach Boys. The group’s first national hit, Surfin’ Safari, was soon to be. They recorded for local (Los Angeles) Colpix Records and at the height of their popularity, Capitol Records. The Beach Boys also recorded under the Reprise Records banner. The revitalized group still tours and Capitol continues to reissue various greatest hits packages. The Beach Boys were inducted into The Rock and Roll Hall of Fame in 1988.

• 1972 ~ Joe McIntyre, Singer with New Kids on the Block

• 1975 ~ Elvis Presley performed before 60,000 fans at the Silverdome in Pontiac, MI. He earned $800,000 for the concert, a world record for a single concert by a single artist.

• 1985 ~ Over 54,500 people played kazoos in downtown Rochester, New York. The assembled multitude played A Bicycle Built for Two. Any idea why? Well, they felt it was appropriate for the last day of the year and it got the crowd listed in the Guiness Book of World Records for ‘Most Kazoo-ers’.

• 2000 ~ Tanaquil Le Clercq, the ballerina who dazzled the world in the 1940s and ’50s before her career was cut short by paralytic polio, died of pneumonia at the age of 71. Le Clercq contracted the disease, which left her paralyzed below the waist, in 1956. At the time, she was the fourth wife of George Balanchine and had attracted an adoring public because of her long-legged elegance. She later became a teacher at Dance Theater of Harlem, wrote two books and regularly attended dance performances. The New York City Ballet, of which Le Clercq was a charter member, paid tribute to her in 1988, when it opened its 50th-anniversary season. She acknowledged a thunderous New York State Theater ovation from her wheelchair. Le Clercq was blessed with an elongated physique that she used with refinement or humor. She epitomized the modernized look in classical dancing, which enthralled Balanchine, who once cast her as a dragonfly. As the first City Ballet ballerina trained since childhood by Balanchine, she was naturally identified with the roles he created for her in his major works, such as the ballets “Symphonie Concertante,” “Symphony in C” and “La Valse,” in which her doomed heroine danced herself to death. She was equally unforgettable in the ballets of Jerome Robbins and as the white-faced allegorical figure of Sacred Love in “Illuminations” in 1950.

• 2000 ~ José Greco, the famed flamenco dancer and choreographer who founded the José Greco Spanish Dance Company, of heart failure at the age of 82. Born in Montorio nei Frentani, Italy, of Spanish-Italian parents, he moved to Seville, Spain, at the age of 3, then was raised in Brooklyn from the age of 10. He began his career in 1937 and became known as the greatest Spanish dancer in the world. In 1941, the already famous Argentine-born dancer La Argentinita (known off the stage as Encarnacion Lopez) was preparing for an American tour when she saw Greco dance and asked him to perform as her partner and the featured male performer in her company until she died in 1945. After that, Greco danced with her sister Pilar Lopez. In 1951, Greco shared with Carol Channing the title of “New Broadway Personality of the Year.” The José Greco Dance Company, which helped integrate flamenco with mainstream ballet, toured extensively in North America, and six times worldwide, over the following two decades. In 1962, he Greco was knighted by the Spanish government. In 1971, Greco formed the Foundation for Hispanic Dance. His autobiography, “Gypsy in My Soul: The Autobiography of Jose Greco,” was published in 1977.

• 2000 ~ Eddy Shaver, a guitarist who performed with his father Billy Joe Shaver and Dwight Yoakam, died at the age of 38. Eddy Shaver grew up around music because of his father, a celebrated songwriter whose songs include I’m Just an Old Chuck of Coal (But I’m Gonna Be a Diamond Someday) and Georgia on a Fast Train. Dickie Betts of The Allman Brothers Band helped teach Eddy Shaver to play and gave him his two favorite guitars, one formerly owned by the late guitarist Duane Allman. Eddy Shaver began playing guitar with his father at 13, and gradually became Billy Joe Shaver’s musical partner and sometime co-writer. Billy Joe Shaver merged from country to a more rock-influenced sound because of his son. Albums by the band Shaver include “Tramp on Your Street,” the live “Shaver: Unshaven,” and “Electric Shaver.” A new album, “The Earth Rolls On,” was released on March 20, 2001.

• 2001 ~ Marie Hartford, a well-known businesswoman on Music Row and widow of the late songwriter and performer John Hartford, died of lung cancer. She was 67. Marie Hartford worked at Glaser Publishing, booking the studios at the Glaser Brothers’ Music Row operation, where country music’s Outlaw movement was bred. John Hartford, who wrote the standardGentle on My Mind, died June 4 after a decade-long battle with cancer. The song was recorded more than 300 times, most prominently by Glen Campbell in 1967 but also by Dean Martin, Elvis Presley and Aretha Franklin.

• 2003 ~ Renata Babak, an internationally known mezzo-soprano with the Bolshoi Opera who defected from the Soviet Union in 1973, died of pancreatic cancer. She was 69. Babak gave recitals until last year, singing in a sweet but powerful and well-controlled voice described by critics as among the best in the world. Her last opera was in 1997, when she performed in Tchaikovsky’s Iolanta with Opera Camerata of Washington. Babak was an international star with 10 years’ experience at the Bolshoi when she defected while the opera company was playing at La Scala in Milan, slipping out of a hotel lobby wearing a wig and dark glasses. She immigrated to Canada and went into hiding for two years. Babak’s U.S. debut at Carnegie Hall in 1975 was met with enthusiastic reviews. She moved to New York and then to Washington in the hopes of working with George London, then general director of the Washington Opera. Babak joined the faculty of the Washington Conservatory of Music when London was disabled by a stroke.