• 1944 ~ The musical, On the Town, opened in New York City for a run of 462 performances. It was Leonard Bernstein’s first big Broadway success. The show’s hit song, New York, New York, continues to be successful.
• 1946 ~ Edgar Winter, American rock vocalist, saxophonist, guitarist and keyboardist
• 1946 ~ Carrie Jacobs Bond passed away. She was an American singer, pianist, and songwriter who composed some 175 pieces of popular music from the 1890s through the early 1940s
• 1947 ~ Dick Diamonde (Dingeman Van Der Sluys), Bass with The Easybeats
• 1950 ~ Alex Chilton, Guitarist, singer
• 1953 ~ Richard Clayderman, Pianist
• 1953 ~ Joe Diffie, Country Singer
• 1957 ~ At The Hop, by Danny and The Juniors, hit #1 on the music charts. It stayed at the top spot for seven weeks. The title of the tune was originally Do the Bop, but was changed at the suggestion of ‘America’s Oldest Living Teenager’ Dick Clark. Trivia: Danny and The Juniors filled in for a group that failed to appear on Clark’s American Bandstand show in Philadelphia. He called The Juniors to come into the studio immediately. They did and lip-synced At The Hop (written by Junior, Dave White and a friend, John Medora). It took off like a rocket to number one. (A few years later, Danny and The Juniors handed stardom to Chubby Checker when they failed to appear on Clark’s show.)
• 1964 ~ Principal filming of the movie classic, Dr. Zhivago, began on location near Madrid, Spain. When completed, the film was 197 minutes long and so spectacular that it received ten Oscar nominations, winning five of the Academy Awards, including Best Original Score. Lara’s Theme was first heard in this movie.
• 1981 ~ WEA Records (Warner-Elektra-Atlantic) raised the price of its 45 rpm records from $1.68 to $1.98 this day. The company was the leader of the pack with other labels soon boosting their prices. Within a few years, the 45 rpm record was boosted right out of existence.
• 2001 ~ Frankie Gaye, whose combat experience during the Vietnam War was credited with influencing his older brother Marvin’s legendary Motown album “What’s Going On,” died of complications following a heart attack. He was 60. Gaye was a radio operator stationed in Vietnam in the 1960s when he wrote letters to his brother expressing his dissatisfaction with the war. His experiences influenced several songs on his brother’s 1971 album, including Save The Children, Inner City Blues and Mercy Mercy Me, according to Ralph Tee in the book “Soul Music Who’s Who.” Gaye, like his brother, had begun singing in church as a youngster. He went on to work with several Motown artists, including Mary Wells and Kim Weston and provided background vocals on many of his brother’s albums, including “What’s Going On” and 1977’s “Marvin Gaye, Live at the London Palladium.” On his own, Gaye composed the soundtrack to the 1972 film “Penitentiary 1” and toured extensively, both in the United States and England. He also released the singles Extraordinary Girl in 1989 and My Brother in 1990.
• 2016 ~ Debbie Reynolds, 84, died one day after the death of her daughter Carrie Fisher. She was an American actress, singer, businesswoman, film historian, and humanitarian.
A small break from Christmas music since we been to the Big Apple Circus several times both here and in New York. The Big Apple is bringing its one-ring circus show to National Harbor March 8 through April 1, 2018.
In New York: Back on the subway to the Lincoln Center for the Big Apple Circus. We’d seen them a couple times here but Michael had never seen them. On the grounds of the Lincoln Center, everything is under the tents where here, much is outside.
We found that Michael had bought tickets in the VIP Seating & Lounge. This included:
The best seats in the tent! First row, center ringside
Private Concierge
Complimentary Circus Meal – includes hot dog, soda and choice of popcorn or cotton candy
Cheese, vegetable and fruit crudite
Juice, water, wine, and beer
Dessert
Souvenir Book (We didn’t get this!)
Private restrooms (They called this the Golden Restroom)
Coat rack
Photo ops as you try on our circus costumes and hats
Close-up magician who did card tricks with us
THE GRAND TOUR is a circus extravaganza set in the 1920s and featuring acts from the four corners of the globe. Ships, trains, automobiles, and airplanes will serve as the backdrop for breathtaking acts of wonder, accompanied by the seven-piece Big Apple Circus Band playing live at each of more than 100 performances. Acts will include clowns, jugglers, acrobats, and aerialists, from Africa, Asia, Australia, Europe, and North and South America, as well as domestic and rescue animals, all creating performances that will leave audiences smiling and cheering. The show runs 1 hour and 50 minutes including a 20-minute intermission.
I was glad to see the ringmaster, John Kennedy Kane, was back. The last time we went here at home, there had been a female ringmaster.
There were so many neat acts and we were right there, front and center, to see them. Some of the acts seemed like they would land in our laps.
This is one of the clown acts:
A sample of some of the other acts. I loved the Wheel of Wonder, about 1:20:
And, a short TV interview:
This video is so cool – “Our performers give a bird’s eye view of what it’s like to perform under the Big Top! Get your tickets today and see the joy and wonder of this season’s show for yourself!”
WINDJAMMERS
Circus marches are called “screamers” because they are traditionally so high, loud & fast!! Circus Band members are often called “windjammers” because they jam so much wind into their instruments in the process of playing these screamers. Playing the circus requires incredible endurance & skills on your instrument. The windjammers play almost none stop and much of the music is really difficult!
The greatest circus bands were about 100 years ago in the heyday of the circus. At that time the big top band could be 25 or so, plus there were often sideshow musicians as well. Cowboy bands, women’s bands and bands of Blacks were often part of the sideshows.
Contemporary circuses are much smaller all the way around, and some don’t use live musicians at all, just “canned” music (recordings). Others carry 3 musicians, a drummer, a trumpet player and a keyboard (synthesizer) player. A few, like the Big Apple Circus, still have bands. The Big Apple Circus has 8 musicians on its bandstand: a conductor/trumpet, a person who plays alto sax and clarinet, one who plays tenor sax and flute, a violin, a trombone, a bass player, a keyboard player and a drummer.
In the “old days,” being a circus musician was one of the most strenuous jobs a musician could have. In the days before musicians’ unions, the windjammer would be expected to play for the circus parade, play a pre-show free concert for the townspeople, ballyhoo around the grounds before the big top show, play the show itself (nonstop for two or three hours!), play post show concerts on the grounds or play sideshows. Then after everyone left, they helped take down the tents or do other chores around the grounds. It was a busy day and the pay was not very good, but it was an exciting life with lots of great music, and many musicians loved it!
THE MUSIC
Entry of the Gladiators (Thunder and Blazes) was written in 1897 by, the Czechoslovakian composer, Julius Fucik (1872-1916). This march is a classic circus march & one that just about everyone will think, “Ah, circus!” when they hear it. Thunder and Blazes (as it is most frequently called) and Fucik’s Florentiner March are probably his most well known marches.
Most circus marches follow the standard American military march form, but often abbreviated (no repeats in the second half):
Introduction (a bit longer than military marches)
First strain (repeated)
Second strain (repeated)
Trio (more mellow and the key changes)
Breakup strain (often called the dogfight in military marches)
Last strain
In a circus march, the last strain is often the same as the trio, but louder, and often the trio, breakup strain and last strain are not repeated like they are in a military march (in military marches, the trio and breakup strain are often reversed & the way they repeat may vary).
The music sets the scene for the performer’s act. Different music is needed for different kinds of acts: the bareback riders galloping around the hippodrome need a lively tune, the trapeze artists want something more peaceful, and of course the clowns need music that sounds humorous (like trombone smears!).
In the early days of the circus, the band masters would take some of the European classical music and arrange it for the circus band. “The most obvious example would be the beautiful, flowing waltz music that is essential to the trapeze artists (‘flyers’ and ‘catchers’). The bandmaster and musicians must be precise in coordinating the music and the timing of the artists, requiring rehearsal with the artists and the musicians. Similarly, it may be interesting to note that the bareback riders perform in a smaller ring because of the gait of the horses. The centrifugal effect requires a ring of a certain diameter for timing. Thus, the conductor must follow the gait of the horses, whereas the aerialists depend on the tempo of the music for timing their act.”
Modern circuses also play a lot of popular tunes, jazz and other songs that people will recognize. You will likely hear fewer of the standard circus marches at a circus today.
The drummer has a particularly challenging and important role in the circus music. He/she must “play the tricks.” Usually the drummer is situated so that he can see the ring because it is his job to accent and intensify what is happening in the ring. This was true 100 years ago, and it is true today. If the act is getting tense, the drummer will get intense. If someone slides down a rope or vaults off the trampoline, there will be a cymbal crash or drum hit when the performer reaches the floor. Sometimes the cues come from the conductor or from the ringmaster, but sometimes it is the drummer who is really in charge!
Circus bands occasionally play a John Philip Sousa composition during the traditional Center Ring Concert, but his melodic marches are not the right structure for most circus acts.
Sousa’s Stars and Stripes Forever is never part of the regular program. It is reserved for emergency use – sometimes called the “Disaster March”. If a major problems happens — an animal gets loose, a high wind threatens the tent, or a fire breaks out — the band plays the march as warning signal to every worker on the circus lot that something is wrong.
For lesser problems, the 12th Street Rag was played to alert the clowns to come out and divert attention during the more common mishaps.
Edward F. Shevlin describes what goes on in the circus band as follows:
“Our music is usually by Karl King, Alexander, Fred Jewell, C. E. Duble and other old time circus bandmasters and musicians. Much of the music by these circus musician-composers is amenable to quick cut-offs and tempo changes as necessary to fit particular acts. Hence, Windjammers usually play two musicians to a stand so that when the conductor cuts to a new piece and tempo, one musician can quickly move the music to expose the next piece while the other continues without skipping a beat! We might quickly go from a march to a Samba or rhumba or galop; or from a waltz to an up-tempo march or galop for the “come down” when the aerialists quickly descend into the net or slide down a rope at the conclusion of their act . . .followed by that ubiquitous B-flat chord! The old circus bands would play anything from Ragtime to a Polonaise or a tone poem!”
*Information from an email from Edward F. Shevlin, a Windjammer who happened upon this page! Many thanks, Mr. Shevlin!
THE BANDWAGON
When the circus came to town, there was always a circus parade — the parade served to get the wagons filled with people, equipment, baggage, tents and animals to the location of the circus, but it also provided some free advertisement. The wagons were very elaborate & were intended to get people interested in the circus so they would come and see the acts. The band road on top of a bandwagon and inside the bandwagon was luggage, tents and other necessities.
Hey, have you ever heard the term, “jump on the bandwagon”? Here’s the story. In 1848, when Zachary Taylor won the Whig party nomination for president, Dan Rice, a famous clown whose attire inspired the image of Uncle Sam, invited Mr. Taylor to ride on the bandwagon that Dan Rice had. When the bandwagon arrived at the center of town, Dan Rice stopped his parade and made a very emotional speech supporting Zachary Taylor’s candidacy. Someone noted that Dan Rice was on Mr. Taylor’s bandwagon and the term stuck, so that to jump on the bandwagon means to get involved with whatever the issue is. “He jumped on the ecology bandwagon.” “She is definitely on the civil rights bandwagon.”
Below you will find some links to pictures of bandwagons.
The Columbia Bandwagon– purchased by James Bailey for the Barnum & Bailey Circus — and see this wagon hitched to FORTY horses!!! The picture including the wagon & the band is at the bottom of the page.
Most people pronounce this instrument “cal eye’ o pee”. Circus people pronounce it “cal’ ee ope” (last syllable like “rope”). What is a calliope?? It is a huge instrument made of whistles with a steam engine that blows steam through the whistles when you press the key. Most calliopes are played with a keyboard like a piano keyboard & each key controls one whistle. It is LOUD!!!! Some can be heard up to 3 – 5 miles! Don’t stand too close to one!
The calliope traditionally brought up the rear in a circus parade.
Most performing entities have some superstitions. One of the superstition in circus bands is that you can not play Franz von Suppe’sLight Cavalry March. Quoting from Mr. Beal’s book:
“To play it on the circus lot means disaster and sudden death.”You may not believe this but most circus folks do, at least those who know the facts. Played once in Oklahoma, a train wreck followed and sixteen were killed. Played again, this time while [Merle] Evans was on tour with Miller Bros. 101 Ranch Wild West, a blowdown followed and 38 fatalities resulted. [A blow down is a wind that destroys all or part of the tents.]
“And the last time Merle played it a cornet player died immediately after the performance. That was enough for Evans. He collected the parts, tied them up in a neat bundle, and dropped them over the nearest bridge…
“From that day to this the music of Suppe’s Light Cavalry march is taboo. Even its presence in the music trunk would be considered a serious menace to the life and safety of the circus musicians.”
A second superstition about the music played, is that the only time you can play Home Sweet Home is during the very last performance of the season, the very last song. Otherwise it could mean the immediate closing of the show.
Information from:
Beal, George Brinton. Through the Back Door of the Circus with George Brinton Beal. Springfield, Massachusetts: McLoughlin Bros., Inc., 1938. p. 1-20.
Some important Windjammers and composers of circus music
Karl King — Karl King was the band master for the Barnum and Bailey Circus. He was one of the first composers to write for student bands. Learn about his music and his life.
The Great Circus Parade — here is a section of the Circus World Museum website dedicated to the circus parade that they put on every summer. (WMS students: The video we watched in Circus 2 was of this parade). http://www.circusparade.com/cwm.htm
Sounds of the Circus — This is the site of the South Shore Circus Concert Band which is ” one of the few bands in the country dedicated to preserving authentic music from the golden age of the American Circus.” The site includes pictures, CDs to purchase and a few RealAudio files for circus music. http://world.std.com/~tsh/circus.html
Screamers – Circus marches are called screamers because they are so loud, fast & often very high!
Windjammers – Circus musicians are often called windjammers because they jam so much wind into their instruments in the process of playing these screamers.
Ballyhooing – The dictionary defines the verb “ballyhoo” as a vigorous attempt to win customers. When not playing, the musicians went around the grounds & the town shouting about the circus & trying to get people to come see it. Ex: “Come to the circus tonight! See flying trapeze artists and the ….”
Hippodrome – The hippodrome is the track around the inside of the ring where the horses were run.
Trombone Smears – Smear refers both to a trombone technique and to a type of music. The technique (officially called a glissando) where the trombonist pulls the slide in or out without tonguing and you get a smearing sound as the notes move up or down, rather than a distinct set of individual notes. Smear also refers a type of music that includes and features these smear techniques. These pieces are often used as clown music. Henry Fillmore wrote many trombone smears and they had an African-American minstrel sound to them.
• 1949 ~ Paul Rodgers, Piano, vocals with Free, Bad Company, The Firm
• 1959 ~ Sheila E. (Escovedo), Drummer, singer
• 1959 ~ Paul Rutherford, Singer with Frankie Goes to Hollywood
• 1984 ~ The group known as Band Aid, 38 of Britain’s top rock musicians, recorded Do They Know This is Christmas? for Ethiopian famine victims. Despite the best of intentions, much of the food raised never got to the starving Ethiopians. In fact, much of it was found rotting on docks, not fit for human consumption. More than a Band-Aid was needed to fix that political mess.
• 1989 ~ Lindsay Crosby, son of crooner Bing Crosby, died
• 2002 ~ Actor Brad Dexter, who rode with Yul Brynner as one of the “Magnificent Seven” and became a confidant of both Marilyn Monroe and Frank Sinatra, died. He was 85. Burly and handsome, he was often cast as a tough guy in supporting roles, which included 1958’s “Run Silent, Run Deep,” starring Burt Lancaster and Clark Gable, and 1965’s “None but the Brave,” starring Sinatra. He made his film debut in the “The Asphalt Jungle” in 1950, but his most prominent role came in 1960’s “The Magnificent Seven,” in which he starred with Brynner, Steve McQueen, Charles Bronson and James Coburn. Born Boris Milanovich in Goldfield, Nev., Dexter made guest appearances on the 1950s television shows “Zane Gray Theater,” “Death Valley Days” and “Wagon Train.” In January 1953, he married singer Peggy Lee, but they divorced eight months later. Soon after his divorce, Dexter befriended Monroe. In 1954, he tried unsuccessfully to persuade her to stay with her husband, Joe DiMaggio. His friendship with Sinatra took on legendary proportions during the filming of “None but the Brave” in 1964. On location in Hawaii, Sinatra nearly drowned and Dexter saved his life.
• 2002 ~ Marvin O. Herzog, who traveled the world with his for 58 years, died of pancreatic cancer. He was 70. Herzog was a polka celebrity who regularly booked 170 appearances a year. He and his band would travel more than 75,000 miles a year in a converted Greyhound bus. For years, Herzog was the star and co-sponsor of Frankenmuth’s Summer Music Fest, which drew about 25,000 visitors annually to the town known for its Bavarian events and shopping. Born in Frankenmuth, Herzog lived there his entire life. He quit his job at Star of the West Milling in 1973 to concentrate full-time on polka music. He played a Cordovox – a mix of organ and accordion. Herzog recorded 32 albums, including his Schnitzelbank and Octoberfestrecords in German as well as Polish, Italian and English polkas. He had a radio show and co-hosted a television show. Herzog was inducted into the International Polka Association Hall of Fame in 1979.
• 1918 ~ Milton DeLugg, Bandleader on The Tonight Show Starring Johnny Carson; Milton DeLugg and His Orchestra: Abe Burrows’ Almanac, The Chuck Barris Rah Rah Show, Dagmar’s Canteen, Doodles Weaver, The Gong Show, Judge for Yourself, Your Hit Parade; played accordion in The Milton DeLugg Quartet and songwriter
• 1928 ~ Jörg Demus, Austrian pianist
• 1934 ~ Billy Paul (Paul Williams), Singer
• 1941 ~ Tom McGuinness, Bass, guitar with Manfred Mann; McGuinness Flint; and Blues Band
• 1942 ~ Ted Bluechel, Jr., Singer, drummer with The Association
• 1944 ~ Eric Bloom, Singer, guitarist
• 1945 ~ John Densmore, Musician with The Doors
• 1952 ~ Michael McDonald, Singer, songwriter, keyboard with The Doobie Brothers
• 1960 ~ Rick Savage, Bass with Def Leppard
• 1972 ~ Motown’s Temptations reached the #1 spot on the top 40 charts with Papa Was a Rollin’ Stone. It was the fourth #1 hit for the Temptations, joining My Girl, I Can’t Get Next to You and Just My Imagination.
.1922 ~ Paul Rovsing Olsen, Danish composer, ethnomusicologist and music critic
.1922 ~ Anthony Vazzana, American composer
.1938 ~ Harry Elston, Musician with Friends of Distinction
.1938 ~ You’re a Sweet Little Headache, from the movie “Paris Honeymoon”, was recorded by Bing Crosby on Decca.
.1940 ~ Delbert McClinton, Songwriter, singer
.1947 ~ Mike Smith, Musician, saxophone
.1954 ~ Florence Henderson, who was all of 20 years old, joined with Ezio Pinza and Walter Slezak in “Fanny”. The show lit up Broadway 888 times.
.1962 ~ Bob Dylan gave his first major concert outside of Greenwich Village. The Carnegie Hall solo appearance was not well attended.
.1963 ~ The Beatles played a Royal Command Performance as part of an evening of entertainment for Queen Elizabeth at the Prince of Wales Theatre in London. David Frost was the emcee.
.2000 ~ Vernel Fournier, who was a drummer for premier jazz acts such as Charlie Parker and Dizzy Gillespie, passed away after suffering an aneurysm. He was 72. Fournier, a New Orleans native, took lessons from a Bourbon Street drummer and as a teen played in New Orleans. He performed with jazz singers including Nancy Wilson and Billy Eckstine. He moved from New York City, where he lived for more than 30 years, to Madison County in 1998.
.1944 ~ Keith Emerson, Keyboards with Emerson, Lake & Powell as well as Emerson, Lake & Palmer
.1944 ~ Chris Morris, Guitarist with Paper Lace
.1945 ~ Rick Grech, Bassist, violinist
.1950 ~ Dan Peek, Guitarist, singer with America
.1951 ~ Ronald Bell, Saxophone with Kool & The Gang
.1957 ~ Lyle Lovett, Grammy Award-winning singer, Best Male Country Vocal in 1989
.1959 ~ Eddie MacDonald, Bass with The Alarm
.1962 ~ Rick Allen, Drummer with Def Leppard
.1962 ~ Mags Furuholmen, Keyboards, singer with a-ha
.1968 ~ George Harrison’s soundtrack LP, “Wonderwall”, was released. It was the first solo album by one of The Beatles. The album was also the first on the new Apple label.
.1969 ~ Warner Brothers Records added Faces, to its roster. They fared OK, but even better when lead singer Rod Stewart stepped out to become a superstar on his own. The group’s former label, Mercury, capitalized on the fact by releasing Maggie Mae and three other Faces tunes before Stewart went solo for Warner exclusively.
.1969 ~ The last album of The Beatles reached #1 on the album chart. “Abbey Road” was the top LP for eleven nonconsecutive weeks. The final studio recordings from the group featured two songs; ‘Something’ & ‘Here Comes The Sun’. The cover supposedly contained clues adding to the ‘Paul Is Dead’ phenomenon: Paul is barefoot and the car number plate ‘LMW 281F’ supposedly referred to the fact that McCartney would be 28 if he was still alive. ‘LMW’ was said to stand for ‘Linda McCartney Weeps.’
1975 ~ Elton John’sIsland Girl hit number one on the Billboard Hot 100 chart. The song parked itself at the top of the hit heap for 3 weeks.
Halloween (All Hallow’s Eve) is an ancient celebration dating back to the sixth or seventh centuries. This holiday combines the Druid autumn festival and the Christian celebration of Hallowtide, long associated with witches, ghosts, devils, spirits, magic … and all scary things that go bump in the night.
• 1896 ~ Ethel Waters, American blues and jazz singer
• 1906 ~ Louise Talma, American composer
• 1912 ~ Dale Evans (Frances Butts), Singer, songwriter of Happy Trails to You, actress, wife of ‘King of the Cowboys’ Roy Rogers
• 1927 ~ Anita Kerr, Pianist, singer, record producer, The Anita Kerr Singers, composer
• 1930 ~ In a rare recording, William ‘Count’ Basie sang with Bennie Moten’s orchestra, Somebody Stole My Gal, on Victor.
• 1934 ~ Tom Paxton, American folk singer, guitarist and songwriter
• 1947 ~ Russ Ballard, Singer, songwriter, guitar with Argent
• 1952 ~ Bernard Edwards, Bass with Chic
• 1953 ~ NBC televised “Carmen” on Opera Theatre in living color. It was the first major opera televised in anything other than black and white.
• 1956 ~ Tony Bowers, Bass with Simply Red
• 1961 ~ Larry Mullen, Grammy Award-winning drummer, with U2
• 1963 ~ Johnny Marr, Guitarist with The Smiths
• 1972 ~ Curtis Mayfield received a gold record for Freddie’s Dead from the movie, Superfly.
• 1984 ~ Caribbean Queen became a gold record for Billy Ocean. It was Ocean’s second hit song and the only one of his 11 hits to become a million-seller. He would have two other #1 songs and a pair of #2 hits, but none as big as Caribbean Queen (No More Love on the Run). Billy’s from Trinidad, and his real name is Leslie Sebastian Charles.
• 1944 ~ Denny Laine (Brian Hines), Guitarist, singer with The Moody Blues
• 1944 ~ The Martha Graham dance company performed a famous contemporary composition called “Appalachian Spring” by Aaron Copland. This debut performance was staged at the Library of Congress.
• 1945 ~ Melba Moore, Singer and actress
• 1946 ~ Peter Green, Guitarist with Fleetwood Mac
• 1947 ~ Richard Dreyfuss, Academy Award-winning actor in The Goodbye Girl (1977) and Mr. Holland’s Opus
• 1961 ~ Randy (Steven Randall) Jackson, Singer with The Jackson Five, brother of Michael, Jermaine, Janet, LaToya, Tito, etc.
• 1961 ~ The top, pop song on the charts belonged to Dion (DiMucci). Runaround Sue was in its second week at the tiptop of the top~tune tabulation (it was in the top 40 for three months).
• 1970 ~ Neil Diamond received a gold record for the hit, Cracklin’ Rosie.
• 1981 ~ Loretta Lynn received a gold record for her album, “Greatest Hits, Vol. 2”.
• 1983 ~ After four weeks at #1 on the pop music charts, Bonnie Tyler’sTotal Eclipse of the Heart slipped to #2. It was replaced by Islands in the Stream by Kenny Rogers and Dolly Parton.
• 1987 ~ Woody Herman, American jazz clarinetist, alto and soprano saxophonist, singer, and big band leader passed away
• 2001 ~ Henry Berthold “Spike” Robinson, a Britain-based American saxophonist admired for his liquid tone and lyrical verve, died at the age of 71. Robinson was born in Wisconsin and came to Britain as a U.S. Navy bandsman after World War II. In his spare, he time played with British bebop pioneers such as Ronnie Scott, John Dankworth and Victor Feldman, making a series of recordings for the Esquire label. He returned to the United States and completed an engineering degree, continuing to play in jazz clubs while working for Honeywell Corp. He returned to music full-time in 1981 after recording an album of Harry Warren compositions featuring Feldman and bassist Ray Brown. In 1989 Robinson moved to England. Despite poor health, he played steadily throughout Europe and the United States. He also recorded for the Edinburgh- based Hep label.
• 1813 ~ Franz Schubert, age 12, finished his first symphony, The Symphony in D Major
More information about Schubert
• 1896 ~ Howard Hanson, American composer, educator and conductor
More information about Hanson
• 1909 ~ Josef Gingold, Russian-born American violinist
• 1936 ~ Charlie Daniels, American CMA Award-winning musician (1979), guitar, fiddle, singer with Charlie Daniels Band
• 1941 ~ Curtis Lee, Singer
• 1941 ~ Hank Marvin (Brian Rankin), Guitarist with The Shadows
• 1945 ~ Wayne Fontana (Glyn Ellis), Singer with The Mindbenders
• 1948 ~ Telma Hopkins, Singer with Dawn
• 1955 ~ A local kid from Lubbock, TX opened a concert for Marty Robbins and Elvis Presley. In the audience was a youngster by the name of Scott Davis. He would later become a superstar. We know him as Mac Davis. The kid who opened the concert was Buddy Holly.
• 1957 ~ After a show at the Pan Pacific Auditorium in Los Angeles, local police told Elvis Presley that he was not allowed to wiggle his hips onstage, the local press also ran headlines saying Elvis would have to clean up his act. The next night, the Los Angeles Vice Squad filmed his entire concert, to study his performance.
• 1961 ~ Brian Epstein, a record store owner in London, was asked by a customer for a copy of the record, My Bonnie, by a group known as The Silver Beatles. He didn’t have it in stock so he went to the Cavern Club to check out the group. He signed to manage them in a matter of days and renamed them The Beatles.
• 1965 ~ Earl Bostic, American jazz alto saxophonist and a pioneer of the post-war American rhythm and blues style, passed away
• 1980 ~ Annette Funicello, Cubby O’Brien, Tommy Cole, Sherry Alberoni and Dickie Dodd joined other Mouseketeers wearing black ears and white shirts on a sound stage in Burbank, CA. They were celebrating the 25th anniversary of the Mickey Mouse Club. The five special events each week were:
Fun with Music Day on Monday
Guest Star Day on Tuesday
Anything Can Happen Day on Wednesday
Circus Day on Thursday
Talent Roundup Day on Friday
• 2003 ~ Oliver Sain, a saxophonist whose work was later recorded by artists from Loretta Lynn to Sean “P. Diddy” Combs, died of bone cancer. He was 71. Sain was a musician, songwriter and producer, known for his performances on songs like Bus Stop and Feel Like Dancing in the 1970s. He performed as recently as the previous night, his wife said. Sain’s work was sampled by Combs on his “No Way Out” CD and recorded by artists including the Allman Brothers Band, Chaka Khan and Ry Cooder. Sain grew up in Dundee, Miss., where he became known for his saxophone playing. He moved to St. Louis in 1959 and opened a recording studio in the city in the next decade.
• 2008 ~ A statue honoring AC/DC’s Bon Scott was unveiled at the Fremantle Fishing Boat Harbour in Western Australia. Although born in Scotland, Scott grew up in Fremantle after his family emigrated to Australia in 1952. Bon started out his newfound Australian life in Melbourne, his family lived in the suburb of Sunshine for 4 years before moving to Fremantle. Scott was born in 1946 died on 20th February 1980. He is buried in Fremantle Cemetery.
• 1934 ~ Cole Porter recorded his own composition titled, You’re the Top, from the show “Anything Goes”, on Victor.
• 1935 ~ A talented twelve-year-old sang on Wallace Beery’s NBC radio show on NBC. Judy Garland delighted the appreciative audience. The young girl would soon be in pictures and at the top of stardom. It would be only four years before Ms. Garland (George Jessel gave her the name, thinking it would be better than her own, Frances Gumm) captured the hearts of moviegoers everywhere with her performance as Dorothy in “The Wizard of Oz”.
• 1944 ~ Michael Piano, Singer with The Sandpipers
• 1946 ~ Keith Hopwood, Singer, guitarist with Herman’s Hermits
• 1952 ~ NBC~TV premiered Victory at Sea. The show was the first documentary film series to gain wide acceptance. Richard Rodgers wrote the score and Robert RussellBennett orchestrated it. No Other Love, adapted from one of the songs in the score, became a hit for Perry Como in the summer of 1953.
• 1953 ~ Keith Strickland, Drummer with The B-52s
• 1962 ~ The Rolling Stones consisting of Keith Richard, Mick Jagger, Brian Jones, pianist Ian Stewart and drummer Tony Chapman recorded their first demo tape at Curly Clayton Studios in Highbury, London. They recorded three songs, Jimmy Reed’s ‘Close Together’, Bo Diddley’s ‘You Can’t Judge A Book By The Cover’ and Muddy Waters’ ‘Soon Forgotten.’
• 1965 ~ The Beatles received MBE medals from the Queen of England, as they became Members of the British Empire. Ceremonies were held at Buckingham Palace.John Lennon returned his medal four years later in protest of Britain’s involvement in the Nigerian Civil War.
• 1971 ~ Memphis minister Al Green received a gold record for his single, Tired of Being Alone.
• 1984 ~ Barbra Streisand won multiplatinum certification for three albums that reached the four-million-dollar sales mark. “Greatest Hits, Vol. II”, “Guilty”, and “A Star is Born” (with Kris Kristofferson) were honored.
• 2001 ~ Laszlo Halasz, the first music director of the New York City Opera, died at the age of 96. Halasz became the opera’s first director in 1943. During his eight-year tenure, the New York City Opera became an important training ground for young singers. The company also became an important venue for new works. Born in Hungary, Halasz studied at the Liszt Academy in Budapest, where his teachers included Béla Bartók, Ernst von Dohnanyi, Leo Weiner and Zoltán Kodály. He made his professional debut as a pianist in 1928, but in 1931 decided to focus on conducting. He came to New York in 1936, and when the New York City Opera was formed in the fall of 1943, Halasz was appointed its music director. The company’s first season included productions of Puccini’s “Tosca,” Flotow’s “Martha” and Bizet’s “Carmen” Halasz conducted the company’s first American premiere, Strauss’ “Ariadne auf Naxos,” in 1946, and the opera’s first world premiere, of William Grant Still’s “Troubled Island,” with a libretto by Langston Hughes. But the opera’s board was uneasy with Halasz’s ventures into modern opera. When the board insisted in 1951 that Halasz submit his repertory plans for approval, he resigned. The board ultimately relented, but when Halasz became involved in union disputes later that year, the board fired him. After leaving City Opera, Halasz began a second career as a record producer. He also conducted opera at houses in Frankfurt, Barcelona, Budapest, London and South America. As a teacher, he was on the conducting faculty at the Peabody Conservatory, in Baltimore, and the Eastman School of Music, in Rochester, N.Y.
• 2001 ~ Herbert Weissenstein, a consultant who specialized in classical music, died at the age of 56. Weissenstein began his career in 1970 as public relations director for the Baltimore Symphony Orchestra. He moved on to the New York Philharmonic and in 1979 became director of development and strategic planning at Carnegie Hall. In 1984, he founded H.F. Weissenstein & Co., which specialized in consulting, directing seminars, and publishing articles in the fields of management and development. His clients included the Electronic Media Forum, the Folksbiene Yiddish Theater, the Manhattan Theater Club, the International Organization for the Transition of Professional dancers and the Brooklyn Botanic Garden.
Happy Halloween 
MaryO'Studio 