Since I’ve done the Nicholas Brothers and Busby Berkeley, it’s time for Cab Calloway, another old movie favorite of mine.
I think the first time I ever came across anything related to Calloway was in the late 1960s when I was watching That Girl on TV – Ann’s father (Lew Parker) sang Minnie the Moocher for a talent show. The song stuck in my head. I wish I could find a video of that performance.
“Minnie the Moocher” is a jazz song first recorded in 1931 by Cab Calloway and His Orchestra, selling over a million copies. “Minnie the Moocher” is most famous for its nonsensical ad-libbed (“scat”) lyrics (for example, “Hi De Hi De Hi De Hi”).
In performances, Calloway would have the audience participate by repeating each scat phrase in a form of call and response. Eventually, Calloway’s phrases would become so long and complex that the audience would laugh at their own failed attempts to repeat them.
“Minnie the Moocher” was inducted into the Grammy Hall of Fame in 1999.
Lots of others have sung this song, as well including Stephen Fry and Hugh Laurie in “Jeeves and Wooster”.
and the Three Mo’ Tenors performed it in 2001
Calloway appeared in the 1980 film The Blues Brothers and sang a shortened version “Minnie The Moocher” in the film, in the original style of big band.
Cabell “Cab” Calloway III (December 25, 1907 – November 18, 1994) was an American jazz singer and bandleader. He was strongly associated with the Cotton Club in Harlem, New York City, where he was a regular performer.
Calloway was a master of energetic scat singing and led one of the United States’ most popular big bands from the start of the 1930s through to the late 1940s. Calloway’s band featured performers including trumpeters Dizzy Gillespie and Adolphus “Doc” Cheatham, saxophonists Ben Webster and Leon “Chu” Berry, New Orleans guitar ace Danny Barker, and bassist Milt Hinton. Calloway continued to perform until his death in 1994 at the age of 86.
An old Paramount short film of Cab Calloway singing many of his hits.
“The Old Man of The Mountain” is non-stop Cab from beginning to end. He appears first as an owl, singing the title song. The words have been changed for the cartoon, in which the Old Man is a villain. In the original song, the Old Man is a benevolent character. Next we see Cab as the Old Man himself, rotoscoped and singing, “You Gotta Hi-De-Hi,” followed by “The Scat Song.”
The cartoon begins with live footage of Cab and his Orchestra playing around with the tune of Minnie the Moocher while Cab scats mildly and grins at the camera. Whereas Cab may have been caught by surprise when they used live footage of him in the earlier cartoon, “Minnie the Moocher”, this time he is ready. He and his band are in dress white uniforms, Cab’s hair is slicked back, and he pays attention to the camera. (The drummer, Leroy Maxey, is still playing with his drumsticks, though!)
Of the three cartoons starring Cab Calloway, this one has the least interesting and least surreal plot, and the animation is the crudest. Never-the-less, the very early live footage of Cab is a treasure, and this cartoon showcases his music from beginning to end, featuring three of his songs. He does some of his most remarkable ever scat singing in this version of The Scat Song.
In all of the Fleisher cartoons, Cab’s characters are set in caves with menacing and ominous background illustrations: skeletons, skulls, ghosts, leering faces, and gambling, alcohol and drug paraphernalia. People have claimed that the Fleischers were unaware of the drug references in Cab’s songs (for example, “kicking the gong around” meaning “smoking opium”), but the imagery in the animations suggests otherwise.
Cab’s scat singing, dancing, comedic personality and flashy elegance had made him a star and a million-selling recording artist. He continued to perform right up until his death in 1994 at the age of 88.
Gunther Schuller sums up Calloway’s brilliance as an entertainer: “People still remember Cab Calloway as a dancer and vaudevillian with his wonderful white tuxedos and all of that — and, as a great, great showman.”
I wasn’t familiar with Calloway until seeing the Blues Brother movie- I give it to Jake and Elwood for featuring a number of artists who were either forgotten or needed a career boost at the time. Calloway was one of the highlights of the movie.